Calgary Set List And Reviews

I’ve been waiting for you, And you’ve been coming to me…

A Reality Tour returned to Canada last night for a sold out show at the Pengrowth Saddledome, in Calgary. David and the band performed a twenty-five song set list which included the Neil Young cover, I’ve Been Waiting For You, only the second airing of the song during the tour so far.

Here’s the setlist, followed by snippets from four reviews, with links to the full online articles.

Calgary January 21st 2004

01 Rebel Rebel
02 New Killer Star
03 Reality
04 Fame
05 Cactus
06 All The Young Dudes
07 China Girl
08 I’ve Been Waiting For You
09 Days
10 The Man Who Sold The World
11 Hallo Spaceboy
12 Sunday
13 Under Pressure
14 Life On Mars?
15 Panic In Detroit
16 Ashes To Ashes
17 White Light, White Heat
18 I’m Afraid Of Americans
19 “Heroes”

(Encore)
20 The Loneliest Guy
21 Blue Jean
22 Hang On To Yourself
23 Five Years
24 Suffragette City
25 Ziggy Stardust

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Calgary Sun – Stardust memories – David Bowie thrills ?Dome crowd by Mike Bell

It was David Bowie?s Sound + Vision Tour, which, the icon promised, was the last time he would haul out his two decade?s worth of recorded rock history. Guess what? He lied. And guess what else? Nobody cares. Certainly not any of the 13,000 fans, old and new, who showed up for his return engagement Jan. 21 in support of his latest release, Reality.

For many, it was the first time hearing live versions of hits such as Rebel Rebel, Fame, Under Pressure, Heroes, Suffragette City, and Ziggy Stardust. But then again, so bloody brilliant a performer is Bowie that he can make all of those songs seem like it?s the very first time you?re hearing them. It?s a testament to how good an entertainer he is, and it?s the reason he?s lasted so long.

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Edmonton Sun – Fierce night, weird hits – David Bowie delivers with punk energy by Fish Griwkowsky

CALGARY — Amid the sweaty halls of eternal rock and roll, David Bowie has been around long enough to witness the movement’s original and total mainstreaming, but also give it a solid kick in the butt during several keys points of its stagnation.

A chameleon’s chameleon, the now 56-year-old can finally look back on the total volume of his work, concentrate on his most sinister and icon-busting moments, and deliver them to stadiums with the punk energy of a child of 14. Which is exactly what he did last night at Calgary’s Saddledome, full of punks, goths, glam girls and grandmas. Sorry about your luck, Deadmonton.

It was a fierce night of weird hits, more about songs like the Nirvana-covered The Man Who Sold the World than Let’s Dance, which he left off the set list. why not? Thin as ever and with a mean grin and tongue, Bowie’s poetry remains deadly given the context of the modern, paranoid world. For each upbeat classic like Heroes he sung in his sleeveless, New York rocker outfit, there was an I’m Afraid of Americans, a Life on Mars or a Panic in Detroit, that cruel, violent anarchy anthem from Aladdin Sane that still makes me want to put my fist through bus-shelter windows. Yeah!

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Calgary Herald – Beautiful Bowie – 57-year-old singer proves rock isn’t only for the young by Heath McCoy

One thing David Bowie has never been is predictable. The man who sang of “Ch-ch-ch-ch-changes,” all those years ago has more than fulfilled the tune’s promise throughout his nearly 40-year career. Whether playing the role of a glam-rock alien or a slick MTV star, among his many incarnations, Bowie’s career has largely been an ongoing work of performance art.

So, what Bowie did Calgary get Wednesday night at the Saddledome? A no-frills performer for the most part, which wasn’t disappointing, because the man is nearly as charismatic as the many identities he has assumed. And, as he proved, his tunes — past and present — stand up just fine without the theatre.

Some say rock is a game for the young. They’re usually quite right. Wednesday night, however, Bowie knocked that type of agist thinking out. Flat out.

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Finally, it seems the Calgary Herald had two writers at the show. I’m posting the whole of this second one, even though Nick Lewis, who wrote the piece, didn’t seem to notice that David played I’ve Been Waiting For You, and it would also appear he can’t tell his Disco Kings from his Loneliest Guys… However, it’s still worth a read to get a bit of a flavour of last night’s show…

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Calgary Herald – Ageless artist, ageless song list by Nick Lewis

Here’s a song-by-song look at David Bowie’s show at the Saddledome:

1) Rebel Rebel: The 57- year-old Bowie, who has seemingly reversed the aging process, struts out in a tattered black tailcoat, red T-shirt, worn black jeans and frayed Chuck Taylor sneakers.

2) New Killer Star: “Calgary, you crazy mother (expletives)!” Mick ‘n’ Keef are both 61, but David, er, Mr. Bowie, looks like he’s too young to have heard of them as he shrugs his cascading blond hair out of his face.

3) Reality: It’s a shame everyone in attendance is sitting so quietly at a rock show Rolling Stone critics have called the No. 2 best tour of 2003 (Radiohead was No. 1). You’d think they were at Yanni.

4) Fame: Audience livens up as they recognize a classic. Mr. Bowie delivers with surgical precision.

5) Cactus: A Pixies cover off Heathen, the six-piece band backing him sound tight.

6) All The Young Dudes: “Well, here’s a singalong for you.” Even people who didn’t think they knew the song sing along at the brilliant chorus.

7) China Girl: “That was really good. I was really impressed. I was so impressed I’m going to let you sing along to this next song.” He then stops after the intro and says, “That was (expletive) tragic.”

8) Days: Mr. Bowie has now stripped to a black sleeveless T-shirt, looking like a kid you’d shoo away from outside the convenience store.

9) The Man Who Sold The World: “When I first came to Canada in 1970, this was one of the songs on the radio. I’d like to play that for you now.” As good as Kurt Cobain’s 1993 cover is, the original is better.

10) Hallo Spaceboy: So, Elton John is knighted, but David Bowie is not. Apparently he hasn’t made enough rubbish songs about feeling the love tonight.

11) Sunday: A slow, percolating ballad after the effervescence of the previous song. Before the next song he says “I haven’t caused a stampede so far tonight. I’d like to rectify that.”

12) Under Pressure: To the extreme, he rocks a mic like a vandal, lights up the stage to wax a chump like a candle. Ice, ice. . .

13) Life On Mars?: Fellow Herald reviewer Heath McCoy squeals with delight and tells everyone it’s his favourite Bowie song. He hasn’t been like this since the Backstreet Boys.

14) Panic in Detroit: Every Bowie pose is worth a photograph, as he shows again here.

15) Ashes To Ashes: Another tune that has the audience cheering from the first recognizable note.

16) White Light, White Heat: Flashes of white light shock and spill over the stage during the song.

17) I’m Afraid of Americans: I squeal with delight and tell everyone it’s my favourite Bowie song. I haven’t been like this since the Backstreet Boys. Blades of red, white and blue light burst as Mr. Bowie whispers effectively, “God is an American.”

18) Heroes: “Well, every story has two sides,” Mr. Bowie says as he plays a softer version of the song, as people stand and applaud.

ENCORE

19) Bring Me The Disco King: All of the Saddledome bathed in black light, Mr. Bowie stands in a cone of white light softly balladeering.

20) Blue Jean: “We just started playing this two nights ago, so bear with us.”

21) Hang On To Yourself: A punked-up version of the song. In the Sex Pistols sense, not the Ashton Kutcher.

22) Five Years: Five orange spotlights frame the singer as he hugs an acoustic guitar.

23) Suffragette City: Audience gets up to dance and sing along. Everyone screams “Wham-bam, thank you m’am!”

24) Ziggy Stardust: Great closer for a great show as audience gives Mr. Bowie a standing ovation.

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The tour continues in Vancouver on Saturday.

Mike Garson – Bowie Speaks, Plus Much More

Ain’t got no money and I ain’t got no hair… *

Apart from touring with David Bowie at the moment, Mike Garson, (DB’s longest-serving band member) has been a busy boy indeed. Firstly he has the front cover of the January issue of Keyboard magazine. Stephen Fortner reviews Mike’s “inspiring career from his early beginnings at the age of seven through his solo works of today, the article captures the essence of Mike’s creative aptitude and humanistic attitude.”

That’s according to the Garson Gazette, Mike’s latest, and very informative online news service, which you can subscribe to by going here. If you haven’t already subscribed, here’s the table of contents from the first edition:

1. WHAT IS THE GARSON GAZETTE?
2. MIKE HAS THE JANUARY 2004 ‘KEYBOARD MAGAZINE’ COVERED!
3. ‘REALITY’ SETS IN AS MIKE JOINS BOWIE’S NORTH AMERICAN TOUR.
4. EXPERIENCE MIKE’S AVANTE-GARDE ART IN YOUR HOME.
5. MANAGE YOUR SUBSCRIPTION: TECHNICAL INFORMATION
6. LAST BUT NOT LEAST…NEW NEWS IS GOOD NEWS

There’s also tons of reasons to visit mikegarson.com, too many to go into here, but check it out for audio and video contributions form Mike, loads of stuff to purchase, and a gallery with examples of his beautiful artworks and a photo gallery that includes two shots taken by yours truly, but which are credited to Mark Plati. Bloody Cheek! };-)

As if all this isn’t enough, Mike has a new album, Homage To My Heroes, which is available now through cdbaby.com. Really looking forward to hearing that one.

Finally we’ll leave you with a few words from David Bowie on the subject of MG, taken from aforementioned issue of Keyboard magazine:

Mike has been working with me, on and off, since 1972. I was looking for a pianist to flesh out the Spiders stage sound, as there were a number of songs that we wanted to do that required keyboard and as Ronno and myself didn’t feel we could cut it on things like Life On Mars, we went searching. Annette Peacock, the avant-garde jazz writer/performer, recommended Mike to Ronno so we gave him a super fast audition at a recording studio in New York. Within ten or twenty notes we knew he was the guy.

He was quite astounding. Because of his varied background I will often throw a composers name at him mid-recording and he’ll pick up on it immediately and respond with something that touches that area. He is so fast to respond in that way. It is pointless to talk about his ability as a pianist; he is exceptional. However, there are very, very few musicians, let alone pianists, who naturally understand the movement and free thinking necessary to hurl themselves into experimental or traditional areas of music, sometimes, ironically, at the same time. Mike does this with such enthusiasm that it makes my heart glad just to be in the same room with him.


* One of these statements is possibly false in regard to Mr Mike Garson… Everybody knows he has a fine head of hair under that bald wig!

Denver Set List And Reviews

Denver days were the days were the days boys…

David Bowie played within the intimate confines of the Fillmore Auditorium in Denver last night, and judging by the online reviews, it was another special night for the people of Denver, and the Bowie fans that made the effort to travel to the 3,600 capacity venue.

No new additions to the 29-song setlist, not that that dampened the enthusiasm of the four reviewers below, from whose online pieces I have posted snippets with links to the full reviews…

Denver January 19th 2004

01 Rebel Rebel
02 New Killer Star
03 Reality
04 She’ll Drive The Big Car
05 Hang On To Yourself
06 Cactus
07 All The Young Dudes
08 China Girl
09 Fantastic Voyage
10 The Loneliest Guy
11 Days
12 The Man Who Sold The World
13 Hallo Spaceboy
14 Sunday
15 Under Pressure
16 Life On Mars?
17 Changes
18 Fame
19 Never Get Old
20 Panic In Detroit
21 Ashes To Ashes
22 White Light, White Heat
23 I’m Afraid Of Americans
24 “Heroes”

(Encore)
25 Bring Me The Disco King
26 Blue Jean
27 Five Years
28 Suffragette City
29 Ziggy Stardust

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RockyMountainNews.com

Sometimes fans just have to stare at a musician and wonder to themselves “How do they do it?” It’s hard even for musicians to explain where their inspiration comes from. At times it seems as much a mystery to them as it is to the rest of us.

After a bit of a lull that still produced some notable work, David Bowie has found himself at another creative peak. He’s 57, he’s more than three decades into his career, yet he’s able to leave fans ecstatic and nearly speechless. Bowie’s explanation is that his touring band is simply playing very well at the moment.

That’s undeniably true, as Monday night’s blasting show at the Fillmore Auditorium showed. But it hardly explains how his latest work has flourished. New songs such as New Killer Star and the gorgeous Days stand out as highlights in a concert that featured the best of his 35 years of hits.

The best part about having strong new material is that Bowie’s enthusiasm is infectious; even the songs he has played a million times are infused with new energy. Bowie is exploring not only his hits, but the more obscure corners of his catalog.

No one seemed to object. The concert here is one of the few small venues Bowie is doing on his Reality tour, so the 3,600 who packed in had to work hard to get tickets, which sold out in minutes weeks ago.

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DenverPost.com

Lasting 30-plus years in the music industry is nearly impossible. Most who have endured the decades did so by relying on nostalgia and not pushing what got them there in the first place, and the resulting situation is sticky, especially when seeing these acts “Live in Concert.”

The musicians play what made them famous in the ’70s while occasionally, almost shamed, sneaking in a new track every now and then. Try watching Peter Frampton live. It’s saddening. It makes you question his relevance and your taste. But this is what makes David Bowie so extraordinary.

He owned your world with the art rock of “Space Oddity” in 1969, and 35 years later he’s standing on the stage playing brand-new material that is as exciting, if not more, than the music that served as your Bowie 101. It’s exhilarating and frightening – yet not all that surprising, given that Bowie has spent his career jacking trends and bucking popular thought.

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The Daily Camera: Boulder@night

On Monday night at the Fillmore Auditorium, Bowie took the stage as himself, both literally and figuratively: there were no appearances by Ziggy Stardust, Aladdin Sane, the Thin White Duke or any other of the rocker’s mythical musical disguises.

And after years of genre-hopping, Bowie’s all but abandoned his dalliances with drum ‘n’ bass, new wave, blue-eyed soul and industrial sounds. The once shiftless rocker has, over the course of his last couple of records, honed in on a mature, art-rock sound that can be every bit as captivating as anything he’s done.

Playing to a sold-out and visibly ecstatic crowd, Bowie ? in phenomenal voice and backed by a crack band ? offered a flawless, career-spanning evening of contrasts.

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gazette.com colorado springs

David Bowie marries music and theater every time he steps on stage. He can?t help himself. So, I was curious to see what character he would inhabit for a sold-out audience at the Fillmore Auditorium on Monday night.

Bowie hopped on stage in low-slung black jeans and a tight black T-shirt (although, he couldn?t resist adding a bandana around his neck for flair). Looking like a 16-year-old punk with his skinny legs and blonde locks, Bowie launched into a lean rendition of 1974?s ?Rebel, Rebel.?

…Just when the show seemed to have climaxed, the place absolutely exploded on ?I?m Afraid of Americans.? Bowie growled his paranoia over the muscular guitar and the crowd went ballistic (despite the indictment of our country). The band rocked it out so hard that it physically hurt on the chorus. ?Americans? was five minutes of rock ?n? roll bliss.

Beam me up, Ziggy. It doesn?t get much better than that on this planet.

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The tour continues in Calgary tomorrow… wherever the hell that is! };-)

Singapore And Hong Kong Dates Announced

Beauty and the East…

OK, this one’s a little tricky… but I’ll do my best. Firstly, let’s get the facts out of the way. David Bowie will kick of the Asian leg of his A Reality Tour in Singapore on March 4th, and will end it in Hong Kong on March 14th. Here are the dates and venues for those two particular shows:

March 4th – Singapore – Indoor Arena
March 14th – Hong Kong – Convention Center

We were given the information that both shows go on sale tomorrow, (Monday) even though we are still in discussions about a small BowieNet allocation of tickets for each show.

However The Straites Times have announced that Tickets for the Singapore show are on sale now via Sistic.com. Here’s a statement I’ve been given regarding the state of play right now:

Signapore and Hong Kong are not set up to facilitate BNET presales, but, they are working with us to make an allotment of tickets available to members. Unfortunately this BowieNet allocation is not likely to be available until after public onsales. The details are being worked out, complicated by time zone differences. If you are nervous about securing seats, you should try to get them locally the day of the onsale.

Not ideal, particularly as we don’t actually have details of how to get the Hong Kong tickets yet. I’ll hopefully have something more for you regarding Hong Kong tomorrow.

But, in the meantime, if, as suggested in the statement above, you are nervous about securing seats, then at least you can click on the image above for Singapore tickets. I’m also afraid that I’ve no idea how good the BowieNet tickets for each show will be.

Sorry I have no more then that right now folks.

Bowienetter Silhouette On The Box Shortly

Didn’t they teach you to get your haircut at school…

A quick reminder that BowieNetter silhouette makes her Stars In Their Eyes debut in around twenty minutes on ITV1 here in the UK at 18:25. The lovely lady is pictured above with the show’s host, Matthew Kelly, before Sweeney Todd got his hands on her! Good luck girl!

NEWSFLASH: silhouette has won tonight’s episode of Stars In Their Eyes. Her winning performance as Sinéad O’Connor guarantees her a place in the finals later in the year. Well done Lisa, we knew you had it in you.

Final Chicago Set List And Rs Critics Vote

“If I look proud Slicky, it’s because the RS critics have voted this tour #2 best tour of 2003!”

Blue Jean can send me…

I said in advance of DB’s final Chicago date last night: “I imagine it wouldn’t be too reckless to expect a few surprises in tomorrow’s setlist”. Well, it didn’t take a rocket scientist to work that one out, but, for those of you that attended all three dates, David certainly didn’t disappoint.

Apart from the reintroduction of Sound And Vision, Slip Away, A New Career In A New Town, Breaking Glass and Bring Me The Disco King, (first US performances of all of these songs so far on this tour) last night was also witness to the first performance on the A Reality World Tour of the world-wide 1984 hit, Blue Jean.

Sounds like I missed yet another great night. Oh well, here’s the 31-song setlist:

Chicago January 16th 2004

01 Rebel Rebel
02 New Killer Star
03 Let’s Dance
04 Reality
05 Hang On To Yourself
06 Fame
07 Cactus
08 Sound And Vision
09 All The Young Dudes
10 China Girl
11 Fantastic Voyage
12 5:15 The Angels Have Gone
13 Days
14 The Man Who Sold The World
15 Hallo Spaceboy
16 Sunday
17 Under Pressure
18 Life On Mars?
19 Slip Away
20 A New Career In A New Town
21 Breaking Glass
22 Panic In Detroit
23 Ashes To Ashes
24 White Light, White Heat
25 I’m Afraid Of Americans
26 “Heroes”

(Encore)
27 Bring Me The Disco King
28 Blue Jean
29 Five Years
30 Suffragette City
31 Ziggy Stardust

As a follow up to the review round-up in yesterday’s news, in the new issue of RS magazine (February 5th), the Rolling Stone critics have voted A Reality Tour at #2 in the best tours of 2003. Radiohead got the top spot, but I’m pretty sure DB won’t mind coming second to a show that he rated among the best of the year himself anyway. Well done sir… that’s pretty impressive, and well-deserved.

The tour continues in Denver on Monday.

Chicago Review Round-up

Last night they loved you…(and the night before that, etc.)

While we’re waiting for the setlist for the last of David’s three shows at the Rosemont Theatre in Chicago, and following on from the review from the that we posted on Wednesday, here’s a roundup of a few more online reviews. I’ve only used snippets here, but each title links to the full review.

The pictures I’ve used over the last few days were taken by Tony Bonyata, who was also responsible for this first review… A talented man indeed:

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Concert LiveWire: Time is still on Bowie’s side

For the first of his three intimate performances at the Rosemont Theatre last night, David Bowie proved exactly why he has one of the most long-lasting, lucrative careers in the music business.

When the 57-year old elder statesmen of rock emerged onto the stage, it was almost shocking to find him appearing some twenty years younger than his actual age. Clad in a tattered black waistcoat, mangy ascot, beat-up Chuck Taylors and black hip-hugging jeans with a ‘how’s it hangin’ belt dangling front-and-center, the slender singer looked like a high-seas buccaneer fresh from pillaging the local Goodwill. Oddly enough (or maybe not so odd at all in Bowie’s case) this hodge-podge of stage attire actually looked quite hip (but, let’s face it, this guy could make a Hefty bag look cool).

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Live Review: David Bowie at Rosemont Theatre, Rosemont, IL

Throughout the night, Bowie’s vocal prowess was awe-inspiring. Not only did he project, but he injected even well-worn favorites with subtleties, choosing alternate notes to liven things up in tunes such as “All the Young Dudes” and “Suffragette City” without compromising the songs.

Taking good-natured jabs at Chicago–“You wouldn’t know a tan if you saw one. Face it.”–and quizzing the audience on its knowledge of modern architecture–“Do you like Louis Sullivan?”–were all part of this effortlessly charismatic performance.

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The Daily Northwestern: Bowie’s ‘Reality’ meets his past

While on stage, he somehow managed to look great in a sneakers and tight t-shirt outfit a perky teenage girl might wear. The little details that have always distinguished Bowie remain intact as he approaches his late 50s. His voice has retained its beautifully freaky midrange and seductive lows. And Bowie is still skinny with a good head of hair — he hasn’t let himself decay in front of his audience.

Bowie’s original arrangements worked decades ago, and they work now and don’t sound like they’re chained to pop music trends. These are solid songs and will remain so, independent of the many phases Bowie has gone through.

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Daily Herald: Vibrant Bowie mixes the new with updates of old favorites

David Bowie made his entrance in the dark Tuesday night at the Rosemont Theatre. With only his silhouette illuminated, the 57-year-old sang the opening lines of “Rebel Rebel” before the lights came up, exposing his surfer hair, Converse sneakers, tattered tuxedo tails and porcelain white smile. For an innovator whose shifting personas in his early career earned him a reputation as the original rock chameleon, (Stop that now – Blammo) Bowie is at a stage where his most effective mask is eternal youth.

“The Man Who Sold the World” from 1970 preceded a stroll atop high platforms during “Hallo Spaceboy” from 1995, both songs dealing with space age chaos. (News to me – Blammo) The most relevant coupling — “I’m Afraid of Americans” and “Heroes” — did not need explaining. When the grinding guitars, paranoid chorus and Christ-like postures of the first met the swooning optimism of the second, Bowie expressed more about the state of world affairs over the past few years than most political pundits ever could.

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Illinois Entertainer

David Bowie managed to redefine cool at the first of three sold-out stints at Rosemont Theatre last night. From his operatic sweeps to his more lustful, baritone intonations, Bowie danced, flirted, donned a guitar for many of the songs, and strutted his way through the hit-filled 25-song set, garnering the attention one of his long legacy should command. From his confident swagger to his playful feminine hand-on-jutted-hip poses, he may be the only man approaching 60 who could come off sexy while asking to borrow one’s eyeliner. Having recently turned 57, many of his contemporaries have taken on a leathery quality, and some can barely muster the performances they should for the price of admission; Bowie looks positively vital and his age-defying applies to the music he delivered during his marathon two-hour-plus set.

He remained so cool that even when slightly prodding political statements were made, the audience seemed none the wiser — for better or worse. He smoothly sandwiched the ’97 penned, though relevant (especially at this moment) “I’m Afraid Of Americans” with the song “Heroes,” saying, “Every story has two sides. This one’s for you.” No Dixie Chicks revolts over here, which speaks as much to the respect he commands as it does to the Chicago audience. Though the audience’s lack of reaction to his very important comment later in the show did leave a bit to be desired. Prior to “Pablo Picasso,” the first song of his encore, he beckoned the audience to shout out their phone numbers. Only a few did, so he requested it again, “C’mon, don’t be afraid to tell me. You’ll be telling it to all the airports soon,” which disappointingly seemed to go over the heads of much of the audience. Much kudos to Bowie for making an eloquent point, without detracting from the entertaining performance, about these strange days and are ever-narrowing civil liberties.

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So, there ya have it kidz. Looks like the whole world is in agreement with us… David Bowie’s A Reality Tour is really rather good.

Db Gets Two Nominations In Meteor Awards

Can you see it in the sky…

Irish BowieNetter Chris Gaffney has alerted me to the fact that the nominations for Ireland’s premier music awards, Meteor, were announced yesterday. David has been nominated in two categories, Best International Male Singer and Best Live Performance.

You can text your vote, or vote online, but I get the impression you can only vote online if you subscribe to either the Meteor, O2 or Vodaphone mobile networks… and I imagine the text vote only works in Ireland. Still, I’m sure that means a bunch of you can still join in, so go vote for David Bowie now!

Click on the logo above to take you to the Meteor site. Voting closes on Wednesday 25th Feb 2004.

Set List From 2nd Chicago Show

Dancing in Chicago…

David Bowie played the second of three shows at the Rosemont Theatre in Chicago last night, and in the absence of any reviews or pictures, I’m afraid we’ll have to make do with the setlist for now.

Last night’s show witnessed the return of a few songs that we haven’t seen on the setlist for a while, such as Starman, Days, Heathen and Always Crashing In The Same Car, and with a third show at the same venue tomorrow, I imagine it wouldn’t be too reckless to expect a few surprises in tomorrow’s setlist too.

Anyway, here are the twenty six songs that were performed last night:

Chicago January 14th 2004

01 Rebel Rebel
02 New Killer Star
03 Afraid
04 Hang On To Yourself
05 Fashion
06 Cactus
07 Starman
08 China Girl
09 Fantastic Voyage
10 She’ll Drive The Big Car
11 Days
12 The Man Who Sold The World
13 Hallo Spaceboy
14 Heathen (The Rays)
15 Under Pressure
16 Life On Mars?
17 Panic In Detroit
18 Ashes To Ashes
19 Never Get Old
20 White Light / White Heat
21 I’m Afraid Of Americans
22 “Heroes”

(Encore)
23 Let’s Dance
24 Always Crashing In The Same Car
25 Suffragette City
26 Ziggy Stardust

Don’t forget if you are hanging around in Chicago today, (whilst waiting for the third and final show at the Rosemont Theatre tomorrow) why don’t you go and check out Spooky Ghost (aka Gerry Leonard, David Bowie’s band leader) in performance tonight… See yesterday’s news for details.

Bowienetter Silhouette On The Box

A gentle face you’ve seen before…(Part 2)

While not strictly a Bowie news item, I’m sure you’ll all want to join me in wishing BowieNetter silhouette every success in her Stars In Their Eyes debut. Silhouette, (“full-time mum” Lisa Fletcher in real life) apparently does a very convincing job of Sinéad O’Connor when she sings Nothing Compares 2 U on the ITV1 show here in the UK this coming Saturday (17th January) at 18:25.

Lisa’s husband, Lee, (BowieNetter Diamond Friendly) tells me that Lisa actually took her role as Sinéad seriously enough to have her shoulder-length hair chopped into the style above… as you will see on Saturday.

The songs of Sinéad O’Connor aren’t the only pieces of music that Lisa enjoys singing. Click on the image above to take you to Lisa and Lee’s website, where you can listen to some of their own original tunes, and see more stunning shots of Lisa’s latest look since her hair grew back.

Good luck Lisa, we’ll all be cheering for ya!