Bowie Is One Night Only's Inspiration – Win Posters

They’re quite aware of what they’re going through…

You may remember HMV’s BE INSPIRED/MY INSPIRATION campaign that kicked off with Aladdin Sane in September 2006. (09.06.2006 NEWS: ALADDIN SANE INSPIRES HMV CAMPAIGN)

That was quickly followed by DB’s selection for his own inspiration which was Syd Barrett‘s Gigolo Aunt. (09.09.2006 NEWS: HMV CAMPAIGN – SYD IS DB’S INSPIRATION)

Anyway, the campaign has continued since and the latest addition is popular singing sensation One Night Only who have chosen David Bowie’s Changes as their inspiration, as evidenced in the poster of the moody youngsters above.

To celebrate this fact, we’ve got five of each of the above approximately A2-sized posters that have been sat in the vault waiting for an appropriate opportunity for a relevant contest.

All you have to do to be in with a chance of winning is choose which one you’d prefer by clicking on just one of the links below. It may be pertinent to add that the Aladdin Sane poster is printed on matt stock while the other is on glossy paper.

CONTEST LINKS ONLY VISIBLE TO LOGGED IN MEMBERS

The contest is open until midnight NY time on the last day of the month…that should give you just about enough time to choose which one to go for.

Usual BowieNet rules apply: Only one entry per BowieNet account and please remember you must enter using your BowieNet e-mail or at least supply your BowieNet user name. If you do neither of these things you won’t be eligible to enter…neither will you be if you click on both the links. Sorry to sound heavy, man, but we have to have a system or it would be utter chaos. 😉

Db Asks Scarlett A Question In Nme Interview

Photograph king, watches you go…

A week later than promised, but perfectly timed for the release of Anywhere I Lay My Head, the current issue of NME (May 24) has that Scarlett Johansson interview they mentioned a couple of weeks back. (05.07.2008 NEWS: SCARLETT TELLS NME ABOUT DB’S CONTRIBUTION)

Half way through proceedings NME decides to present an enquiry to Scarlett from her backing vocalist…over to NME…

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At which point, let’s throw this open to the floor. Yes, over there, a question emailed in from a certain Mr David Bowie: “Did David [Sitek] ever stop taking pictures of you?”
Scarlett smiles. “Yeah, Dave’s an incredible photographer. He takes beautiful pictures but when we were recording he didn’t actually take any. During the day we would, though. We did experimental photographs with the band and weird lights and smoke bombs, everything.”
Bowie, as it happens, is an old mate of Scarlett’s, having worked with her on The Prestige, and when he ran into her shortly before recording began, he expressed an interest in getting involved.
“He was very interested in the concept of the album and he knew Dave [Sitek] was doing it because Bowie seemingly knows everything. You think you’ve found some great band and you look over and go, ‘Oh shit, there’s Bowie!’ He’s at every concert everywhere in the city, he’s just a music lover. So he was curious and I said something like, ‘If you ever want to come down and lay down a track, let me know!’ And he kind of laughed.”
Ironically, Scarlett had had Bowie in mind to sing the Bette Midler part on her originally planned duet of ‘I Never Talk To Strangers’, and on the road trip she and Sitek had bonded over their mutual Ziggyphilia.
“We listened to a lot of Bowie, we talked about Bowie, we loved Bowie, shared stories about him, and then I was off in Spain making a film and Dave called me going, ‘Guess who I have in the studio!'”
Were you gutted you weren’t there?
“I was devastated. I was like, ‘Give me the play-by-play!’ Bowie had come in, he’d heard the rough mixes and he was really into it. He came in with his lyric sheets and he knew exactly what he wanted to sing. It was awesome. His voice is like an instrument.”
Bowie sings on two tracks; the sublimely maudlin Leaving Glasvegas of Tannin Street’ and first single ‘Falling Down’, a song Scarlett was reluctant to cover as it includes the line “I come from St Petersburg/Scarlett and me”. But Sitek was keen for her to create different characters for each song, often barking emotions at her like a movie director.

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Anywhere I Lay My Head is now available all over the place, as indeed is NME.

Bowie Asks Weller For His Haircut Back Via E-mail

I combed my hair till it was just right…

Following Paul Weller’s acknowledgement in MOJO that David Bowie perhaps meant more to him than he realised, (05.14.2008 NEWS: WELLER IS BORN AGAIN BOWIE FREAK) The Sun newspaper’s Bizarre column reports today (Thursday) that Bowie has been in touch with Weller via e-mail.

Here’s a bit from the Sun article:

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Bowie read the article and sent Weller a grateful email. But the Starman still couldn?t resist a cheeky dig at the Modfather?s infamous barnet.

Bowie attached a picture of himself from back in the day with a Weller-style mop, ear defenders and all. And he signed off: ?Nice one, Paul. Can I have my haircut back now??

A source said: ?Weller has had some public digs at Bowie in the past. But it takes a big man to say you called it wrong so it was good of him to say he was a reformed Bowie fan.

?Bowie appreciated it so sent him the email. But he couldn?t resist a gentle poke about his hair. He sent a pic of himself from the 1960s on a record sleeve. Paul might be better known for the cut but Bowie wanted to point out he was there first.?

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I guess that’s some kind of MODern love. Sorry.

You can read the full Sun article by clicking on Paul’s Barnet in the picture above…or is it David’s?

Bowie/kansai Display At Edo-tokyo Museum

And so the story goes they wore the clothes…

To celebrate its 15th anniversary, the Edo-Tokyo Museum opened a special exhibition last month entitled Netsuki Shinten: Kansai Genki Shugi (Passionate Exhibit: The Energy Principle of Kansai).

Japanese fashion designer Kansai Yamamoto collaborated on the production of the exhibition which explores the impact of traditional culture and Japan?s unique aestheticism using his designs as a starting point.

As you’re most likely aware, some of the very best examples of his work are the stunning stage clothes he made for David Bowie in 1972/73, some of which can be viewed in the breathtaking display (see above…click for larger version) of Kansai Bowie costumes at the exhibition. Here’s a recent quotation from David regarding them.

“The Kansai Yamamoto costume designs that Kansai and I chose for the Ziggy Stardust and Aladdin Sane tours contributed significantly to pushing away from the 60s and for creating new sensibilities for the post-modern 70s. Kansai’s brave ideas brought Japanese clothes design to the forefront of fashion.”David Bowie 2008

Atsuki Kokoro ten runs until June 6th and if you’re thinking of going along, please let me know, I’d love to get my hands on an exhibition catalogue.

Official Statement From Rzo Music

Following on from our denial here a couple of days ago, (05.17.2008 NEWS: BOWIE’S THE MAN WHO FELL TO EARTH MUSICAL?) we now have an official statement…

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-A Statement From RZ0 Music Re David Bowie-

Contrary to reports in the UK media, David Bowie’s publisher has confirmed that Mr. Bowie is not ‘teaming up with Peter Schaufuss’ to present theatrical versions of any of his musical works.

An RZO Music spokesperson has said, “We have licensed absolutely no material written by Mr. Bowie to Schaufuss. We have never been requested to and we do not intend to.”

The spokesperson also said “We are close to the Walter Tevis Estate and we have and have first hand knowledge that they have not licensed the musical rights to The Man Who Fell To Earth to Schaufuss either.

Further, the advertising for this production appears to be utilising an unauthorised name and likeness of Mr. Bowie and we will seek injunctions, if necessary, to stop their use.”

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Rex Ray Interviewed For Cover Story

I’m just the slave of Rex Ray…

Speaking of Rex Ray, (see below) the former underwear model has been probed by RockPop Gallery for their regular Cover Story Interview.

In it Rex talks about how he first forced himself upon David Bowie and how his involvement with the design of many DB products came about.

Here’s an excerpt…

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Through some friends (spys!), I heard that Bowie was in a certain bookstore one morning, so I hopped on my bicycle and raced across town. I approached him as he was leaving and asked if he?d mind signing the posters for me. He was very gracious and accommodating and complimented me on my work. We spoke for a while about books, design, and I can?t recall what else, and he went on his way. I was beyond satisfied and thought that was the end of the matter.

Unbeknownst to me, at a sound check later that afternoon, the people at BGP asked Bowie to sign a poster for me. Bowie replied, ?I?ve already signed posters for Rex but could you arrange to have him come backstage after tonight?s show to sign posters for me.? I arrived backstage after the show and was escorted into Bowie?s dressing room where we talked at length about art, books, what he should do while he was in town, etc., and I signed posters for him. Once again, I was satisfied and thought that was the last I’d hear from him.

About a year later I received a few curious emails asking if I?d like to collaborate on some projects, but they were signed only ?db?. It never even occurred to me that it might be David Bowie, so I ignored them. A few days later another email arrived where he actually identified himself and I was completely stunned.

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Click on A Kid Insane‘s open eyeball in the image above to reach the interview. Thanx to RaMOANa for the pointer and to neverendingwonder who pointed at her, or something like that.

Bowie's The Man Who Fell To Earth Musical?

It will tumble from the sky…

The Sun newspaper’s Bizarre column has today given over its lead story to a tale regarding David Bowie’s plans to stage a musical of The Man Who Fell To Earth. Apparently the tragic story of Thomas Jerome Newton will be played out against a soundtrack of David’s space-influenced greatest hits. Here’s a bit from the article…

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Glam rock legend DAVID BOWIE has finally given permission for a stage show based around his mighty catalogue of classics.

The Thin White Duke is teaming up with top director PETER SCHAUFUSS to bring his bonkers sci-fi film The Man Who Fell To Earth to the boards.

The lavish production will weave Bowie?s sci-fi influenced hits around the storyline of the cult 1976 flick. Bowie played an alien on earth to get water for his dying planet.

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Indeed, plans for the musical are already so far advanced that The Sun reckons director Schaufuss “…plans to launch his Bowie musical in his native Denmark this autumn.”.

I have to admit, I had heard hints of this idea previously and had dismissed them, but I thought I had better check with DB before posting a denial. This was his somewhat guarded response:

“Absolute toss. I have no idea who Peter Schaufuss is either.”

If you enjoy a good science fiction story, you can read the full Sun article online here…Though it must be said, it contains very little science.

The Man Who Fell To Earth Due On Blu Ray

This nation’s turning Blu-ray…

Speaking of The Man Who Fell To Earth, (See story below) The Criterion Collection has committed to Blu-ray and announced that the first batch of thirteen releases, due in October, will include two Nicolas Roeg directed films: The Man Who Fell To Earth and Walkabout.

Here’s the announcement from the Criterion Collection site:

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We?ve got some exciting news for this fall: our first Blu-ray discs are coming! We?ve picked a little over a dozen titles from the collection for Blu-ray treatment, and we?ll begin rolling them out in October. These new editions will feature glorious high-definition picture and sound, all the supplemental content of the DVD releases, and they will be priced to match our standard-def editions.

Here?s what?s in the pipeline:

The Third Man
Bottle Rocket
Chungking Express
The Man Who Fell to Earth
The Last Emperor
El Norte
The 400 Blows
Gimme Shelter
The Complete Monterey Pop
Contempt
Walkabout
For All Mankind
The Wages of Fear

Alongside our DVD and Blu-ray box sets of The Last Emperor, we?ll also be putting out the theatrical version as a stand-alone release in both formats, priced at $39.95. Our Blu-ray release of Walkabout will be an all-new edition, featuring new supplements as well as a new transfer; we will also release an updated anamorphic DVD of Nicolas Roeg?s outback masterpiece at the same time.

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The great thing about these visual enhancements in recent years is that they seem to coincide nicely with my age-related sight deterioration.

Rex Ray Give-away Part 6 Winner – Part 7 Is Go

All you’ve got to do is win…

We’re now on the seventh week of our ten week Rex Ray contest, (04.06.2008 NEWS: THE GREAT REX RAY GIVE-AWAY STARTS TODAY) and it seems we’re getting more and more entries every week.

So, on to the winner of #7/10 of the untrimmed 20″ x 14″ (508mm x 355mm) hand-numbered Berkeley print, (see above left) customised by Rex in the Reality style and signed by both Rex Ray and David Bowie in 2006.

And the winner is: barley

Well done barley, please send your real name and address to me and we’ll have your prize to you quicker than you can pull a fish from a barrel.

All you have to do to be in with a chance of being winner number seven and getting your hands on #4/10 of the Berkeley prints, is contact me here before midnight NY time on Saturday May 24th.

Usual BowieNet rules apply: Only one entry per BowieNet account per week, and please remember you must enter using your BowieNet e-mail or at least supply your BowieNet user name. If you do neither of these things you won’t be eligible to enter.

The seventh winner will be announced next Sunday May the 25th and the contest for the eigth artwork will commence at the same time.

BowieNet members can view larger versions of both of the above here on the MBs. Good luck.

Live Santa Monica '72…more Exclusive Details

Then I got the small black box…

We’re more than pleased to be able to announce further details of the David Bowie – Live Santa Monica ’72 limited edition CD. Details of the vinyl packaging will follow later.

? The David Bowie – Live Santa Monica ’72 limited edition CD will be housed in a lidded box, similar to the Ziggy Motion Picture packaging, (which was a clam shell box) but different in that the top and the base will be two separate parts.

? The box will have a canvas finish with a stickered image on the front which includes a reproduction of the original ticket for the October 20th Santa Monica concert. The seat number is replaced with the stamped limited edition number. (See above)

The box will contain the following:

? A sixteen page booklet with shots taken at the actual show.

? Four photo cards (below). These are facsimiles of the publicity images that were given to the press ahead of the show.

? A fold-out double-sided poster (below) that reprints Robert Hilburn‘s original review of the gig for the LA Times on one side and the We Told You So press advert on the other.

? The disc wallet/pouchette utilises George Underwood‘s cover art for the original unreleased official Santa Monica album.

David Bowie – Live Santa Monica ’72 is scheduled for a June 30th release through EMI Catalogue Marketing, and, as I say, the vinyl packaging will be different to the CD version.