David Bowie is at ACMI in Australia July 2015

 

“He will have his sky down there below” 

 

It is with much pleasure that we can announce another date for the David Bowie is world tour, with the news that the exhibition will now visit The Australian Centre for the Moving Image (acmi) as part of Melbourne Winter Masterpieces, from July 16 to November 1, 2015.

Minister for Tourism and Major Events, The Hon. Louise Asher, MP, made the official announcement at around 11am AEST to a packed press conference of excited fans and journalists alike.

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PRESS RELEASE

 

The Australian Centre for the Moving Image as part of Melbourne Winter Masterpieces presents

 

David Bowie is

 

A once-in-a-lifetime exhibition charting the genius and legacy of an iconic artist and innovator

16 July 2015 to 1 November 2015

 

acmi.net.au/bowie

 

“absolutely incredible…fabulous” Jean Paul Gaultier

“a simple, ringing endorsement of pure stardom” The Independent (UK)

“a beautifully immersive, innovative show” The Huffington Post

“The sheer grandeur brought tears to my eyes” The Daily Telegraph

 

Opening in July 2015, the Australian Centre for the Moving Image (ACMI), will present exclusively in Australasia as part of Melbourne Winter Masterpieces, David Bowie is – the acclaimed exhibition celebrating the extraordinary career of one of the most pioneering and influential artists and performers of the modern era.

 

David Bowie is was created by the prestigious Victoria and Albert Museum (V&A) in London drawing upon unprecedented access to the David Bowie Archive of costumes, objects, album artwork, and memorabilia. The exhibition includes lyric sheets, hundreds of photographs, stage sets, rare videos, filmed live shows, over 50 costumes and interviews with key collaborators. Special displays within the exhibition explore Bowie’s influences as musician, stage performer, writer and actor – and his continuing legacy. At its world premiere in London in March 2013, it was the V&A’s fastest selling exhibition and became one of its most popular shows, drawing over 311,000 visitors and widespread critical acclaim.

 

ACMI Director & CEO, Tony Sweeney, said the landmark exhibition showcases Bowie as a true innovator in music, fashion and culture, and traces his changing style and reinvention.

“The mystery of David Bowie as an enigma is so lovingly explored in this incredible immersive exhibition you’ll feel as if you’ve stepped inside the mind of this astonishing cultural and pop icon,” Tony said. “Bowie is a figure whose social and creative influence and significance far exceeds his status as a pre-eminent rock performer and in David Bowie is, his incredible career is showcased in glorious detail.”

 

The V&A’s curators, Victoria Broackes and Geoffrey Marsh, from the Museum’s Department of Theatre and Performance, selected more than 300 objects and films for the show. Of the exhibition they said:

“The exhibition looks in-depth at how Bowie’s music and radical individualism has both influenced and been influenced by wider movements in art, design, film and contemporary popular culture over an incredible 50-year career and demonstrates how Bowie has inspired others to challenge convention and pursue freedom of expression.”

 

Bowie’s first major hit Space Oddity (1969) and the introduction of his first fictionalised stage persona Major Tom, inspired by Stanley Kubrick’s 1968 film 2001: A Space Odyssey, granted him critical and commercial success as an established solo artist. His cinematic influences abound with his elaborate storyboards and set design for the Diamond Dogs tour (1974) – originally envisioned as a musical – inspired by Fritz Lang’s film Metropolis (1927), leading him to take the combination of rock music and theatre to new heights.

 

Excerpts and props from Bowie’s own work in feature films such as Labyrinth (1986) and Basquiat (1996) are displayed in the exhibition, as do many of his ambitious and ground-breaking music videos. The year 1972 marked the birth of his most famous creation; Ziggy Stardust, a daringly androgynous and otherworldly being. A pivotal performance of Starman on Top of the Pops in a multi-coloured suit signalled a challenge of social conventions, daring fans to shape their own identities.

 

Bowie’s collaborations with artists and designers in the fields of fashion, sound, graphics, theatre, art and film are explored throughout the exhibition. On display are more than 50 stage costumes including Ziggy Stardust bodysuits (1972) designed by Freddie Burretti, Kansai Yamamoto’s flamboyant creations for the Aladdin Sane tour (1973) and the Union Jack coat designed by Bowie and Alexander McQueen for the Earthling album cover (1997).

 

Bowie’s fruitful experimental period in Berlin between 1977 and 1979 is also explored through a series of pioneering records he produced known as the Berlin Trilogy, including the creation of the stylish Thin White Duke persona identified with the Station to Station album and tour (1976).

 

More personal items such as never-before-seen storyboards, handwritten set lists and lyrics are also featured in the exhibition as well as some of Bowie’s own sketches, musical scores and diary entries, revealing the evolution of his creative ideas. ACMI is the exclusive Australasian venue for David Bowie is. The ACMI season will include a specially curated program of talks and special events, late night programs, film screenings and live performances.

 

David Bowie is will open at ACMI on 16 July 2015 as part of the Victorian Government’s prestigious Melbourne Winter Masterpieces series. Tickets go on sale to the general public in November 2014. To register for exclusive pre-sale ticket opportunities, visit: acmi.net.au/bowie

 

About the Australian Centre for the Moving Image (ACMI):

A globally unique cultural institution, ACMI presents and champions the art and culture of the moving image. Through a vibrant annual calendar of award-winning exhibitions, screenings, film festivals, live events, creative workshops, education programs and Collection resources, ACMI provides a wide diversity of audiences with an unsurpassed range of ways to engage with the moving image. As one of Victoria’s major cultural, tourism and learning attractions, and a national centre of screen culture debate and innovation, ACMI has an international reputation as one of the world’s leading moving image centres.

 

About the Victoria and Albert Museum:

The V&A is the world’s leading museum of art and design with collections unrivalled in their scope and diversity. It was established to make works of art available to all and to inspire British designers and manufacturers. Today, the V&A’s collections, which span over 2000 years of human creativity in virtually every medium and from many parts of the world, continue to intrigue, inspire and inform. More: www.vam.ac.uk

 

ACKNOWLEDGEMENTS:

Exhibition organised by the Victoria and Albert Museum, London Sound experience by Sennheiser

 

David Bowie Archive:

Costumes, materials and objects courtesy of the David Bowie Archive, with thanks to Archivist Sandy Hirshkowitz.

 

David Bowie is…Education programs, proudly supported by the Naomi Milgrom Foundation.

NME’s 100 Most Influential Artists

 

“Someone to follow”

 

Congratulations are due to David Bowie with the news that NME has positioned him at #2 in their list of the 100 Most Influential Artists.

The magazine (August 9 issue) set out to “determine the most influential acts in music right now. Who are the bands and artists that the current raft of new musicians listen to before penning their own 21st-century classics?”

With quotations from James Murphy, St Vincent, Trent Reznor, Black Francis, Lorde and Lady Gaga on the importance of Bowie to their careers, the piece summed up his influence thus:

 

“Of all the old guard, David Bowie is the guy who young musicians still namedrop with devoted regularity today. The sheer breadth and scope of his career – from the music-hall roots to his glam explosion, plastic soul period and krautrock experiments – has provided countless modern acts with their impetus to plug in and play.”

 

Congratulations also to Radiohead (just one of the thirty odd artists listed as having been influenced by Bowie), who topped the list.

Back in 2000, the band came second to Bowie when he was placed first in NME’s Most Influential Artists of All-time list.

So today’s news is a pretty impressive result for DB considering he released no new material for ten of the fourteen years since 2000.

We’ll leave you with a still relevant Bowie quote from an exclusive interview he gave NME back then:

 

“I’ve always cited who my influences are. I felt it was important for people to be able to see how things are put together at any given stage. I let people know what’s going through my head. I’ve been quite vocal about that through the years.

“It often amuses me to see bands who lie about who they’re listening to, because they don’t want people to know who their real influences are. They leave a trail of red herrings. It’s disingenuous, to say the least. I’ve always loved the process – to see how things are put together.”

45 years on, Beckenham is gonna have a party

 

“The sun machine is coming down”

 

Just over forty four years ago (Friday June 26th, 1970), David Bowie released the single Memory Of A Free Festival to mark an event that took place in his home town of Beckenham the previous August.

The record didn’t worry the UK singles chart and promptly disappeared from view. David Bowie’s public wasn’t quite ready for him just yet.

However, the festival is now set to become an annual fundraiser in support of the dilapidated Beckenham bandstand where Bowie and friends played on the day, with the news that this year’s festival will also take place at the Croydon Road Recreation Ground in Beckenham on Saturday 16 August, just like it did exactly forty five years previously.

Last year £7,000 was collected for the restoration fund, £600 of which was raised at auction from the proceeds of Bowie-donated signed memorabilia.

David has kindly supplied a signed Love Is Lost white vinyl 12″ this year and we’ve also dug into the vaults and found a ten-year-old tour poster designed by Rex Ray, signed by both Bowie and Rex in 2004.

We also found a limited edition 2002 Heathen CD in album packaging with a signed-by-Bowie promotional postcard. Scroll the images here to view the items.

Keep updated about this year’s festival via the Beckenham Bowie FB page and keep reading for Mary Finnigan’s press release.

 

 

DAVID BOWIE DOES IT AGAIN!

More support for the Beckenham bandstand

 

Rock mega star David Bowie is making a second generous contribution to the restoration fund for the bandstand where he performed 45 years ago.

 

Bowie and the Beckenham Arts Lab organised Britain’s first ever Free Festival at the Croydon Road Recreation Ground in Beckenham on Saturday 16 August 1969.  The event is celebrated as a cultural milestone, immortalised by Bowie with his anthem Memory of a Free Festival.

 

Last year Memory of a Free Festival morphed from a song into a contemporary event – organised by fashion designer Natasha Ryzhova Lau as a fundraiser for the iconic Victorian bandstand, which is urgently in need of repair. David Bowie donated signed memorabilia which raised £600 at auction. In total £7,000 was collected for the restoration fund.

 

The first Memory of a Free Festival was a great success. It returns by popular request and looks set to become an annual event. The second edition this year kicks off at 1.00pm  on Saturday 16 August – in the same place, on the same day 45 years after the Bowie original. Once again David is donating signed items for the bandstand fund – including Love is Lost – a 12” white vinyl double A side single – described by fans as “very desirable”.

 

The lineup this year includes three musicians who played in 1969.  There’s a return visit by American folk/blues legend Amory Kane who made a special trip  from California last year. He’s joined by guitar maestro Bill Liesegang, who was a 16 year old prodigy in 1969.

 

This year the festival welcomes singer/songwriter Roger Wotton, leader of the avant garde band Comus who were resident at the Arts Lab Sunday night gigs and a star attraction at the Free Festival.

“It’s like a strange dream where my life is starting over again” says Roger,

“Comus have reformed, I’m playing the Beckenham Festival and meeting up with all the people I used to know.  It is as if the wheel has turned full circle and I’m going into a repeat pattern.”

 

Also on the bandstand this year are return visits from Raf and O, Low Rent Tractors and the Bowie tribute band Thin White Duke. Newcomers include Joey Herzfeld and his So Called Friends and Julia Gray.

 

As well as non-stop live music there’s a Gingham Goose craft market, food, drinks and a beer tent.

 

An innovation this year is an art-in-action feature, with visual artists at work and with their creations on display.  

“We want to encourage artists to take part” says organiser Natasha Ryzhova Lau, “this can include all sorts of artistic expression –poetry, storytelling, painting and sculpture.”

 

Times have changed and it is no longer possible to present a free festival. There’s a £5 entry fee to cover expenses, payable at the gate. Donations to the bandstand fund will be gratefully received. The auction will happen just before the festival ends at 7.00pm.

 

Mary Finnigan