Holy Holy announce UK and Dublin tour for June 2015

 

“You’re face to face“

 

Tony Visconti, Woody Woodmansey’s Holy Holy and Glenn Gregory perform David Bowie’s seminal The Man Who Sold the World album plus a new set of other classic Bowie songs from 1969-73, with very special guests.

Due to public demand following their very successful mini UK tour in September 2014, legendary Bowie bandmates, producer/bass player Tony Visconti and drummer Woody Woodmansey (pictured here soundchecking at Shepherd’s Bush Empire in September), will be playing music together again in June, just as they originally did with David Bowie and Mick Ronson.

The Man Who Sold The World, recorded in 1970, is considered one of Bowie’s finest moments and this band are well-placed to do it justice, as they proved in September.

Following Holy Holy’s performance of The Man Who Sold The World in full, the second half of the show will feature a selection of favourite early Bowie songs, including several that the band have never played live before. Tony Visconti will play bass for the entire set. Fronting the band on this jaunt will be Glenn Gregory of Heaven 17 once again.

Tony and Woody’s tour in 2014 was critically acclaimed, including this 4 star review in The Times.

 

12-date Holy Holy 2015 Tour dates and tickets links:

 

12 – Colchester Arts Centre http://www.colchesterartscentre.com/events/gigs/tony-visconti-woody-woodmansey-with-glenn-gregory-/   

13 – Oxford Academy http://www.o2academyoxford.co.uk/event/73686/tony-visconti-and-woody-woodmansey-with-glenn-greg-tickets  

14 – Bournemouth Academy http://www.o2academybournemouth.co.uk/event/73677/tony-visconti-and-woody-woodmansey-with-glenn-greg-tickets 

15 – Bristol Academy http://www.o2academybristol.co.uk/event/73678/tony-visconti-and-woody-woodmansey-with-glenn-greg-tickets 

18 – Liverpool Academy http://www.o2academyliverpool.co.uk/event/73681/tony-visconti-and-woody-woodmansey-with-glenn-greg-tickets 

21 – Leeds Academy http://www.o2academyleeds.co.uk/event/73682/tony-visconti-and-woody-woodmansey-with-glenn-greg-tickets 

22 – Hull The Welly http://www.seetickets.com/event/tony-visconti-woody-woodmansey/the-welly-club/842792 

24 – Dublin Olympia http://tinyurl.com/pmquda8  

25 – Glasgow ABC http://www.o2abcglasgow.co.uk/event/73676/tony-visconti-and-woody-woodmansey-with-glenn-greg-tickets 

26 – Newcastle Academy http://www.o2academynewcastle.co.uk/event/73685/tony-visconti-and-woody-woodmansey-with-glenn-greg-tickets 

29 – Birmingham Academy http://www.o2academybirmingham.co.uk/event/73680/tony-visconti-and-woody-woodmansey-with-glenn-greg-tickets 

30 – London, Shepherds Bush Empire http://www.o2shepherdsbushempire.co.uk/event/73679/tony-visconti-and-woody-woodmansey-with-glenn-greg-tickets

 

A Tom Wilcox / Maniac Squat Records Production.

​32 pages, 3 covers and 1 CD for MOJO Bowie special

 

“A couple of songs from your old scrapbook“

 

As revealed in the headline and accompanying image, MOJO magazine has given Bowie fans an early Christmas present in the shape of a 32-page article featuring The 100 Greatest Bowie Songs as voted by Mojo writers.

The piece features interviews with George Underwood, Carlos Alomar, Dana Gillespie, Robert Fripp, Tony Visconti, Rick Wakeman, Mike Garson, Reeves Gabrels, Ken Scott and Lindsay Kemp.

See DavidBowie.com for a further breakdown of the content and an introduction by Billy Corgan.

Scroll the images here for a further breakdown of the content and an introduction by Billy Corgan.

The three separate front covers each feature striking black and white Sukita photographs, and the cover-mount CD, DAVIDHEROESBOWIE, boasts fifteen bowie-related tracks which the magazine claims were all an influence on Bowie at one time or another. Indeed, he has certainly recorded the majority of them himself over the years.

 

The DAVIDHEROESBOWIE tracklisting is;

 

01 Little Richard – The Girl Can’t Help It

02 Chuck Berry – Almost Grown

03 Bobby Bland – I Pity The Fool

04 Ronnie Ross Quintet – Smoke Gets In Your Eyes

05 Frank Sinatra – Bewitched, Bothered and Bewildered

06 Jacques Brel – La Mort

07 Lotte Lenya – Alabama Song

08 Nina Simone – Wild Is The Wind

09 Nat King Cole – Nature Boy

10 Billy Fury – Wondrous Place

11 Anthony Newley – What Kind Of Fool Am I?

12 The Flares – Foot Stomping

13 Vince Taylor And His Playboys – Jet Black Machine

14 The Yardbirds – Shapes Of Things

15 The Pretty – Things Rosalyn

 

We won’t reveal the top 100 tracks the magazine chose just yet, suffice to say it’s a great list peppered with recordings you might not expect.

However, we will leave you with the top ten instrumentals they chose, followed by their five favourite tracks Bowie has covered.

 

Instrumentals

10 Crystal Japan

09 Ian Fish UK Heir

08 Abdulmajid

07 All Saints

06 Moss Garden

05 Neukoln

04 A New Career In A New Town

03 Sense Of Doubt

02 Subterraneans

01 Warszawa

 

Covers

05 It Ain’t Easy

04 Fill Your Heart

03 Nite Flights

02 Wild Is The Wind

01 Sorrow

 

The February edition of MOJO will be available over the next day or so.

Bowie at The Rainbow this day in 1972

 

“Let all the children boogie“

 

David Bowie and The Spiders kicked off a short UK tour at the end of 1972 with a triumphant homecoming show at the Rainbow Theatre, on December 24th.

They were enjoying much greater chart recognition since previously being in the country and The Jean Genie had just entered the Top 20 on its way to #2 in the UK single chart.

David recalled this batch of shows and the Rainbow gig fondly in Mick Rock’s book, Moonage Daydream:

 

“We put in a short tour of the UK between December and January 1972-73. It was always a great buzz to come back home and this was probably one of the best, highest energy jaunts of our short eighteen-month life. That’s all it was, 18 months.

We had another Rainbow show on Christmas Eve, so I asked the audience beforehand to bring a toy to be donated to Dr Barnardo’s childrens’ home, the organisation for which my dad had worked all of his life. I think we filled an entire truck with them.“

 

Indeed they did, as Andy Barding of Cygnet Committee points out in this excellent celebration of the night, with contributions from Woody Woodmansey.

 

 

’Twas the night before Christmas, 1972

 

… and in a North London concert hall David Bowie was making it a night to remember. And not just for his fans.

 

When tickets for his Christmas Eve show at the Rainbow Theatre were put on sale, David made a public appeal for concertgoers to bring toys with them as a charity donation. The response was fantastic, as David’s drummer Woody Woodmansey remembers:

 

“David’s toy appeal created more response than we could have imagined. There was a huge truckload of stuff. We hadn’t done anything like that since the Save the Whale benefit concert much earlier on.” (Royal Festival Hall, London, July 8 1972)

 

The very next day, Christmas morning, the goodwill mountain of toys and games that had stacked up in the venue’s foyer was distributed to appreciative youngsters in children’s homes across London.

 

David was delighted. His father, who had passed away three years earlier, had been a public relations officer for Dr Barnardo Homes. So this was a cause close to his heart.

 

This sold-out Rainbow concert marked a triumphant homecoming for 25-year-old David and his band, the Spiders from Mars. They had just returned from nearly three months on the road in America and their absence from Britain had made homegrown hearts grow a lot, lot fonder.

 

NME writer and seasoned David Bowie concertgoer Charles Shaar Murray was taken aback by the frenzied audience reception.

 

“Just for the record, they’ve started screaming at David Bowie,” he wrote.

 

“At the Rainbow on Christmas Eve young girls were reaching out for our hero’s supple limbs and squealing in the customary manner. Whether it’s Bowiemania or Ziggymania or a combination of the two is not yet apparent.”

 

Rival music paper Melody Maker hit the newsstands with a David Bowie-dominated Christmas issue that same week. David was crowned their ‘main man of 1972’, and voted Top Vocalist in the end of year poll. The ‘Rise and Fall of Ziggy Stardust and the Spiders from Mars’ album, which sold close to 200,000 copies in the UK and US during 1972, was declared the MM critics’ choice.

 

Those who attended the Rainbow were treated to a spectacular new live set kicked off by ‘Let’s Spend the Night Together’ (featuring David playing his new VCS3 Moog synthesizer). And as a bonus attraction they were the first in Britain to hear new boy Mike Garson on piano.

 

This was quickly followed by a “razor-edged” ‘Hang On To Yourself’, which Charles Shaar Murray enthusiastically reported was “played better than I’ve ever heard it.” And this in spite of David having only just got over a bout of Asian flu.

 

In a radical break from the regular Ziggy show format, this festive concert did away with the half-time acoustic section in favour of an all-out electric experience.

 

“We had worked hard in the US,” said Woody, “and I think it had evolved into a rockier show. It was nice to get back to the UK, and a perfect way to end the year with a new set.”

 

Charles Shaar Murray agreed: “That American tour has really honed the Spiders to perfection. The show is tougher, flashier and more manic than it’s ever been before.”

 

Let’s hope it was all worth the £2.50 ticket price (£1.50 for a cheap seat in the Circle). The concert ended late and, this being Christmas Eve AND the early seventies, night buses and trains were few and far between. By the time the gig ended with ‘Rock ’n’ Roll Suicide’, all underground train services had stopped. Most Bowie freaks had to either walk home or shell out for taxis. At least one silver lame-clad fan spent the night curled up in a Finsbury Park shop doorway. It’s worth clarifying that this was the only London concert by David and the Spiders in December 1972. When Christmas Eve tickets sold out pretty much instantly, efforts were made to book the venue for an extra show on the previous day, December 23. But ultimately it could not be done.

 

There were dramatic scenes at the stage door, as the band made their way out that night.

 

Woody: “I do remember the fans outside the stage door when we exited. We had to actually push one over-enthusiastic fan who was brandishing a pair of scissors.

 

“As we came out she lunged forward and attempted to secure a lock of Mick Ronson’s hair and narrowly missed his left eye by a fraction of an inch.”

 

Afterwards, David headed for his South London home (where six Royal Mail sacks full of Christmas cards were waiting for him) and the Spiders were driven home to Yorkshire in a limo – though not by MainMan bodyguard Stuey George, as has been previously documented, says Woody.

 

“It snowed all the way and we arrived at my mum’s in the early hours and surprised them,” he said.

 

And on Christmas Day, as hundreds of London kids unwrapped surprise presents from those generous David Bowie fans, the rest of the country settled down in front of their tellies to watch the traditional Christmas Top of the Pops – and a repeat showing of that now-legendary ‘Starman’ performance.

 

1972 had been a super-stellar year for David and the Spiders. And that Christmas, for a lot of reasons, can be considered the icing on the cake.

 

 

David Bowie at the Rainbow Theatre, December 24, 1972, Setlist

 

Let’s Spend The Night Together

Hang On To Yourself

Ziggy Stardust

Changes

The Supermen

Life On Mars?

Five Years

The Width Of A Circle

John, I’m Only Dancing

Moonage Daydream

The Jean Genie

Suffragette City

Rock ’n’ Roll Suicide

 

 

Thanks Andy and Woody, much appreciated.

Ten-page Young Americans feature in UNCUT

 

“Me, I’m fresh on your pages“

 

To mark the 40th anniversary of David Bowie’s 1975 masterpiece, Young Americans, the February 2015 edition of UNCUT magazine has a ten-page feature by John Robinson, titled Heart and Soul.

The magazine also has a Bowie cover (albeit a flipped picture…eye and bangle give it away), and it’s available any day now. 

Here’s the intro to the piece…

 

August 1974, and DAVID BOWIE is a man carrying a heavy burden. Management problems, extravagant stage set, a whole wardrobe full of personae. Soul music was his rescue: it poured balm on his problems, and pointed the way ahead.

In exclusive new interviews, Carlos Alomar, Andy Newmark, Earl Slick, Geoff MacCormack, Ava Cherry, David Sanborn and Mike Garson recall how Lulu, Luther Vandross and 10 days of “freaky soul“ in Philadelphia helped Bowie lay the ground work for YOUNG AMERICANS, and s whole new direction. “It may be his best album,“ says Mike Garson, “It was straight to the music.“

 

If you’ve not listened in a while, go check out Young Americans now on Spotify and see for yourself if Mr Garson has a point.

Rolling Stone France 8-page Bowie cover feature

 

“I found the secrets, I found the gold“

 

In celebration of Nothing Has Changed – The Very Best of David Bowie, the January/February 2015 edition of Rolling Stone France has an interesting Bowie cover feature by Denis Roulleau titled: Expérimentale & secrete – La face cachée de David Bowie.

Elsewhere there’s also a full-page appreciation by Philippe Barbot of the classic 1977 Bowie track “Heroes”.

The main article concerns itself with 25 of the more obscure Bowie tunes along with a few better known recordings that the magazine considers ’Expérimentale’.

These are the tracks that really made the grade as far as RS France is concerned. We’ve kept their dates and titles.

 

01 – Sue (Or In A Season Of Crime) (2014)

02 – ’Tis A Pity She Was A Whore (2014)

03 – All Saints (1976)

04 – The Prettiest Star (1970)

05 – Crystal Japan (1980)

06 – Subterraneans (1976)

07 – Alabama Song (1980)

08 – V-2 Schneider (1977)

09 – A Foggy Day (In London Town) (1998) *

10 – Velvet Goldmine (1971)

11 – Planet Of Dreams (1997) *

12 – I’m Afraid Of The Animals (sic) (1995) *

13 – Real Cool World (1992)

14 – It’s Hard To Be A Saint In The City (1974)

15 – Shadow Man (2001)

16 – Baby Universal (1991) *

17 – The Drowned Girl (1982)

18 – Nature Boy (2001)

19 – Get Real (1995)

20 – Station To Station (1976)

21 – We All Go Through (1999)

22 – 1917 (1999)

23 – Truth (1998)

24 – Volare (1986)

25 – Peace On Earth/Little Drummer Boy (1977) *

 

Along with a couple of date inconsistencies, we did notice the title of track #12 is incorrect. However, this is simply RS referencing the lyric variation of this early version of I’m Afraid Of Americans from the Show Girls OST.

We’ve created a Spotify playlist of the above tracks, excepting the five marked thus *, all of which you can find on YouTube to complete the listening experience.

The January/February 2015 edition of Rolling Stone France is available now.

Hunky Dory still sounding amazing at 43

 

“Oh, look out you rock ’n rollers“

 

David Bowie’s Hunky Dory LP (his first for RCA), was released on this day in the UK in 1971. The album had already been released in the USA at this point, as had the attendant single, Changes.

However, despite a decent press campaign and very appreciative reviews, the record didn’t enter the UK Top 50 for another ten months and it took several more weeks before it entered the Top 20 at the height of Ziggymania.

It eventually peaked at #3, incredible when one considers how precious a recording the majority of Bowie fans (and indeed, rock fans in general), consider Hunky Dory to be today.

If for some bizarre reason this masterpiece has escaped you thus far, go listen to it now and prepare to have your life changed forever!

How Bowie ushered in the 80s on SNL 35 years ago

 

“Clothes always fit ya”

 

Broadcast live on 15th December 1979 in New York, David Bowie’s appearance on Saturday Night Live is frequently listed as having been broadcast on 5th January 1980.

The airdate was actually 15th December, with the title of the show, Saturday Night Live, being a bit of a clue too! (Scroll images for the original TV listing kindly supplied by Bill DeBlonk)

This was an important broadcast and along with the 1980 Floor Show it seems to have had a similarly persuasive effect on a lot of young Americans that Starman on TOTPs in 1972 and the BBC’s 1975 Cracked Actor documentary had on UK teenagers.

Bowie performed “The Man Who Sold the World,” “TVC 15” and “Boys Keep Swinging”, with extraordinary guest appearances from Klaus Nomi and Joey Arias. The show was hosted by the actor Martin Sheen.

For “The Man Who Sold the World” Bowie was lifted and positioned in front of the microphone by Klaus and Joey in a costume that rendered him immobile, while his man-handlers provided extraordinary backing vocals. (Watch Andrew Horn’s superb film The Nomi Song: The Klaus Nomi Odyssey if you’re not already familiar with Klaus)

Designed by Mark Ravitz and Bowie, and inspired by Sonia Delaunay’s designs for Tristan Tzara’s 1923 play Le Cœur à gaz (The Gas Heart), this outfit was possibly the most bizarre thing Bowie ever wore onstage…and possibly offstage too! Scroll the images here to view pictures of this brilliant creation.

The skirt suit that David is wearing on the right of our montage was designed by Brooks Van Horn costume house, New York, and was worn for “TVC 15”, the song that also showcased a toy pink poodle/TV monitor.

The other picture shows DB operating a puppet while utilising green-screen technology for “Boys Keep Swinging” to hilarious effect.

In an absurd move the show’s producers blanked the line “Other boys check you out” but seemingly missed the puppet’s obvious excitement at the climax of the song.

Words cannot do Bowie’s SNL appearance justice, suffice to say, it remains among the most surreal television performances broadcast anywhere, ever.

If you’ve never seen this piece of TV history, prepare to be captivated by all three songs here on Vimeo.

NHC back up to #32 plus BBC Music Award tributes

 

“Look at him climb“

 

The Official Charts Company in the UK has announced that Nothing Has Changed – The Very Best of David Bowie has gone back up the album chart seven places to #32.

No doubt people are realising the album is a hard-to-beat, quality Christmas gift.

Meanwhile, if you missed the inaugural BBC Music Awards on Thursday, you can watch the whole thing on the BBC iPlayer.

Though our man didn’t pick up the gong for British Artist of the Year (cynical cries of “Don’t attend, don’t win!“), there was a lovely collection of tributes for him from the likes of Gary Barlow, Sarah-Jane Crawford, MistaJam, Chris Martin, George Ezra and Olly Murs.

 

Here’s a bit of what Chris Martin had to say:

 

“When Where Are We Now? came out, I was staggered, and also annoyed. You know, come on, it’s not fair he’s already got tons of really good songs and then there’s this instant classic.“

 

Chris also made the news with this admission regarding his attempts to collaborate with Bowie:

 

“One time I sent him a song to ask him to sing on it and he called me and said: “It’s not one of your best”. (Laughs) He’s got very high standards and I appreciate that…it inspires the rest of us to keep our standards high.“

 

If you didn’t catch the show, the Bowie bit is 1 hour and 25 minutes in.

Nine out of Ten for NHC in Classic Rock Mag

 

“Classic Rock ’n’ roll star, Just watch me now“

 

The January 2015 issue of Classic Rock magazine has a two-page, nine out of ten review of Nothing Has Changed – The Very Best Of Bowie. (An album which still resides in the UK Top 40)

The review is by David Quantick and here’s an excerpt:

 

“But the real fun lies in the triple CD, the one with the very forbidding, more recent photo of Bowie looking through a glass darkly. The most striking thing about this collection – apart from the fact that it has 60 songs on it – is that the running order is in reverse, beginning with Sue (Or In A Season Of Crime) and ending with Liza Jane, Bowie’s debut single as Davy Jones And The King Bees, from 1964.

 

Fifty years, then, going backwards in a spiral like a Tardis of pop. It’s a risky device – it puts the listener into a head-spin – but here it works. It gives proper prominence to the past 20 years of Bowie’s career, from his return with The Next Day to the chunky rock of Reality and the stately brilliance of Heathen.“

 

 

The January 2015 issue of Classic Rock is out now.

Reviewer David Quantick is the same DQ who will be interviewing Woody Woodmansey this coming Sunday (14th) that we told you about recently. A recap never harmed anybody…

Woody will also be doing a talk on David Bowie’s lesser known songs in the 1970-73 era at The Hospital Club on Sunday 14 December at 4pm. Woody will be talking to music journalist and writer David Quantick; shining a light on the stories behind Bowie’s outtakes, obscure album tracks and demos from that period: