CHANGESONEBOWIE enters vinyl chart at #1

 

“I’m torn between the light and dark”

 

The limited edition vinyl pressing of CHANGESONEBOWIE has entered the UK’s Official Vinyl Album Chart at #1. (27 May 2016 – 02 June 2016)

The following five Bowie albums are currently in the chart, with four of those in the Top 20.

 

01 – CHANGESONEBOWIE – PARLOPHONE

14 – BLACKSTAR – RCA

17 – HUNKY DORY – PARLOPHONE

18 – THE RISE AND FALL OF ZIGGY STARDUST – PARLOPHONE

23 – NOTHING HAS CHANGED – THE VERY BEST OF DAVID BOWIE – PARLOPHONE

 

Check out the current Official Vinyl Album Chart here.

 

Meanwhile, some bright spark has solved the ‘Schrödinger’s Cat’ dilemma of the black v clear vinyl pressing without opening sealed copies of CHANGESONEBOWIE. Simply shine a strong light source, such as an LED torch, through the back of the sleeve. If the light shines through the vinyl, your record is transparent. Honestly, it works!

 

#CHANGESONEBOWIE  #BowieOCC  #BowieVinyl  

Bowie surprise guest at Gilmour gig

 

“Silhouettes and shadows…”

 

Around this time exactly ten years ago, people were travelling home from a David Gilmour gig at the Royal Albert Hall in London, having just witnessed a special guest appearance by David Bowie. In the event, that show of May 29th, 2006, would prove to be his last public performance in the UK.

 

The event was reported the next day by Total Blam Blam on DavidBowie.com. We’ve posted that brief review below.

 

+ – + – + – + – + – + – + – + – + – + – + – + – + – + – +

 

“David Bowie’s on the phone, dad… ,” my daughter Holly casually announced late yesterday afternoon, “though it’s probably somebody messing around,” she reasonably suspected.

 

“Blam, what are you up to this evening?” Well, it certainly sounded like HIM. “Erm…nothing,” I spluttered. “Well, I’m doing a bit of an impromptu at the Royal Albert, grab your camera and get over here as soon as you can!” And he wasn’t messing around.

 

I got there in lunatic time and sat through two accomplished sets by David Gilmour and his collection of even more accomplished musicians, who boasted Roxy man Phil Manzanera among their number.

 

The first set kicked off with the Pink Floyd favourite, Breathe/Time/Breathe (Reprise), and continued with the whole of David Gilmour’s latest solo offering On An Island from start to finish.

 

The unsuspecting audience seemed most appreciative of the vocal contributions from guests David Crosby and Graham Nash and who could fail to be impressed by Robert Wyatt and his distinctive cornet? Little did they know what was to come.

 

A second set of six Pink Floyd favourites followed, from the sublime ode to Syd Barrett, Shine On You Crazy Diamond, through to the mind-expanding space jam of Echoes…and then they were gone.

 

So, two whole sets, and no sign of DB. Was he winding me up? There were certainly no whispers of his name from where I sat.

 

But, in no time at all, the band was back on stage for an encore which kicked off with a quite beautiful Wish You Were Here, followed by a very short interlude of Crosby and Nash’s own Find The Cost Of Freedom.

 

Normally the audience would have expected an end to proceedings round about now, and I’m not sure many of them actually believed Gilmour when he said something along the lines of: “We’re not done yet, please welcome our very special guest…David Bowie!”

 

David bounded on to an immediate standing ovation and was straight into a cracking version of Syd’s Arnold Layne…his grey suit and black scarf with crimson top even seemed to echo the hip clobber of the London scene of the time.

 

The song is well-suited to David’s voice, and his love of all things Syd was more than apparent in the brilliant delivery.

 

The crowd was more animated than at any other point in the evening, but the temperature rose even further in the well sold out hall as the audience recognised the intro to Comfortably Numb, and David took the microphone once again… “Hello. Is there anybody in there? Just nod if you can hear me. Is there anyone home?”

 

Another superb delivery which saw David vanish into the shadows as Gilmour went in to that epic solo that completes the last few minutes of the song.

 

Inevitably the news filtered out via mobile phones and message boards…but still people seemed disbelieving until Sailor himself confirmed his appearance shortly afterwards via the BowieNet MBs, thus:

 

“Great stuff! Gig rumour is true. I had a ball tonight singing with David Gilmour and the band. He invited me up to do Arnold Layne and Uncomfortably Numb. Sailor.” He returned shortly after to say that the deliberate mistake of “Uncomfortably Numb” was “jus my little joke.”

 

It was great to finally see David sing in this fine old venue…how cool would it be to have a Bowie show there? And no, I’m not hinting at anything…just thinking aloud.

 

The official David Gilmour site posted a brief mention last night, including this line: “Best-kept secret of the night was the appearance of David Bowie, in the encore section, who gained a standing ovation after his unique renditions of both Arnold Layne and Comfortably Numb. Who knows what new thrills await in the next two days? Keep tuning in for the latest…”

 

Well, while we’re on the subject, I can tell you that DB doesn’t plan to join the proceedings again over the next two RAH Gilmour gigs.

 

+ – + – + – + – + – + – + – + – + – + – + – + – + – + – +

 

If you’ve never seen DB’s performance, you can view both songs here on the RAH site.

 

 

#BowieRAH  #BowieGilmour

Sign up for Lazarus in London details

 

“Loving The Alien”

 

On the day that a new print of the 1963 Walter Tevis novel, The Man Who Fell To Earth (which inspired Lazarus), is published via Gollancz (See inset picture), we thought it would be a good time to remind you to subscribe to the newly-updated Lazarus page, if you haven’t already.

Go here to sign-up now and visit this page for further details of the newly-published book.

 

#LazarusLondon  #Lazarus  #TMWFTE  #TJNewton  

CHANGESONEBOWIE random vinyl out now

 

“But it may come clear”

 

As mentioned on these pages previously, today sees the release of the 40th anniversary edition of CHANGESONEBOWIE.

David Bowie’s first ever best of compilation (with tracks from the period 1969 to 1976), was originally released on May 21st, 1976.

The album stayed in the Top 10 for eleven weeks, peaking at #2. Two UK adverts from 1976 are illustrated in our montage.

Unannounced at the time was a mispress of CHANGESONEBOWIE with a reported 1,000 copies containing the ‘sax version’ of John, I’m Only Dancing, as opposed to the original single mix.

In keeping with the spirit of that, half of this new vinyl pressing is black while the other half is clear. As with the original album, this information is not mentioned on the sleeve, so it is completely random as to which one you end up with.

CHANGESONEBOWIE is out now via Parlophone on 180g heavyweight vinyl, cd and digital formats including Mastered for iTunes.

 

CHANGESONEBOWIE tracklisiting:

 

Side 1

Space Oddity

John, I’m Only Dancing

Changes

Ziggy Stardust

Suffragette City

The Jean Genie

 

Side 2

Diamond Dogs

Rebel Rebel

Young Americans

Fame

Golden Years

 

#CHANGESONEBOWIE  #BowieVinyl

Duncan Jones on Dad and Baby Jones

 

“My set is amazing”

 

Our good friend @Unklerupert has yet again supplied a summary of Duncan Jones’ activities. Including stuff about Dad, Baby “Tusky” and his day job as successful international director. 

 

Over to you Unk… (All bold text is a clickable link and there are lots of links in the following)

 

#WARCRAFTmovie  #DuncanJones

 

 

+ – + – + – + – + – + – + – + – + – + – + – + – + – + – + – +

 

 

Hello! You may recall our last update on all things Duncan Jones back in November 2015. At the time the first trailer for Duncan’s latest film WARCRAFT, a big budget adaptation of Blizzard Entertainment’s massively successful game World of Warcraft, had been released along with the announcement of his next project MUTE, a return to Sci-Fi set in the same fictional universe as Duncan’s debut feature MOON.

 

A lot has happened since then of course, not the least of which was the passing of Duncan’s father David Bowie on January 10th of this year. Time passes and life continues, and new life comes into being as well. On the 10th of February Duncan announced that he and is wife Rodene were expecting a new Jones. “Circle of life.” as Duncan commented on his Twitter announcement.

 

Skip forward to now and Duncan and Rodene are quickly approaching the release of both of their new babies, tiny Jones (or “Tusky” as Duncan mentioned as a potential name in a recent interview) and WARCRAFT both being due for release in June! So, it’s a busy time in the Jones house right now. The release of a new film obviously involves a lot of promotion and Duncan has taken it all in his stride, as usual, talking not only about WARCRAFT, but about his hugely influential Dad too.

 

Speaking to Nicole Evatt, Associated Press, Duncan recalled time spent with his Dad on film sets.

 

“My dad was obviously prolific in music, but he also acted and I think I had the most fun when we were on film sets… I think I got the bug back then.”

“Because the musical gene did not express itself in the way one might have hoped, my main hobby with my dad was shooting little one-stop animations and I just always carried that interest in film.”

 

“I think as much on the creativity level — his bravery and willingness to try stuff that other people weren’t expecting. I did two science-fiction films and then jumped into a video game movie, and now I’m going to go from this behemoth to another tiny, little indie. So just doing what feels right at the moment on a creative level is certainly something I got from him.”

 

Duncan is pictured here on the set of The Man Who Fell To Earth with his Dad and the film’s director, Nicolas Roeg. The colour picture is of Duncan in director mode on the set of WARCRAFT.

 

Speaking to Entertainment Tonight, Duncan confirmed his Dad had got a chance to see what he’d been working on with WARCRAFT

 

“Before he passed he got the chance to see an early rough cut, and, you know, he’s a dad, so he was proud. He was proud back then and I’m sure he would have been proud of the finished film.”

 

“He was just excited for me to be branching out and trying out different things. He taught me a lot of things, but one of them was to be brave and to go with what feels right. And for me, you know, having an opportunity to do this felt right.”

 

WARCRAFT isn’t the only film on Duncan’s mind of course, there is also his much anticipated return to Sci-fi with MUTE which Duncan described to Empire magazine in the UK this month as

 

“The story of Leo, who’s mute due to a childhood accident. He’s looking for a missing person in mid 21st century Berlin, the Casablanca of the future.”

 

Talking to Empire about the casting of Alexander Skarsgård as Leo Duncan said

 

“I think he’ll do a terrific job. Leo is a character who doesn’t talk, so much of the communication is going to be about the nuances of the performance and where I put the camera to pick them up. But it’s also a three hander. The other two character are a pair of buddies who are incredibly talkative, very loquacious and witty. You’re bounced between their two stories, one guy who’s silent and the other who are babbling all the time. So I think it has a nice balance to it.”

 

Duncan has previously described MUTE as a love letter to Blade Runner and revealed a few more influences to Empire:

 

“Paul Schrader’s Hardcore meets Robert Altman’s M*A*S*H. It goes very dark, then it also goes very darkly funny. It’s science-fiction urban, so it certainly owes some of it’s influence to Blade Runner. But, in a way, the references to Blade Runner are more superficial.”

 

The June issues of Empire also exclusively features the first concept art from MUTE over 2 pages, as well as 6 pages on WARCRAFT. Well worth picking up!

 

With the WARCRAFT release almost upon us, Duncan’s putting in a lot of work on promotion but attention is obviously starting to shift towards the arrival of the baby.

 

“I’m so excited, our baby is due to arrive within a week or two of the film coming out. I did all the hard work now. It’s a movie, it’s on it’s way, it’ll do it’s own thing. I’ve got this other baby I’ve got to be responsible for and worrying about now. It’s going to be a crazy June.”

 

Despite joking about a baby name (“Tusky”) during a very funny interview at PAX EAST, Duncan and Rodene’s baby’s name has not been revealed. Duncan and Rodene do know though whether they are expecting a boy or a girl.

 

In a very moving moment in this interview with Marc Malkin for E! Duncan revealed:

 

“We were very fortunate when found out what the gender of our baby was going to be. We were able to get the Doctor to write it on a card, without us seeing, and then I got to spend Christmas with my Dad and he actually told what the gender was going to be.”

 

Having watched Duncan get back into work after a tough start to the year, I think his Dad would quite rightly be very proud to see how committed and hard working he has been in the build up to WARCRAFT’s release. Duncan’s obviously very proud of what the entire cast and crew have achieved on this film, his enthusiasm and delight at every little detail shines through on every interview you’ll watch over the next couple of weeks. There are a couple you should not miss though.

 

WARCRAFT Movie Panel with Duncan Jones and Robert Kazinsky (Orgrim Doomhammer). 

 

Duncan & Rodene Jones live on Periscope touring the WARCRAFT press expo at Universal. 

 

Rob Kazinsky’s behind the scenes tour of The Lion’s Pride Inn 

 

The main thing to know, for all you none gamers out there, is that Duncan and the gang have created a film that is for everyone. If you are a World of Warcraft player, there will be tons of call backs to the game that you’ll love. If you’re not a World of Warcraft player, maybe not even heard of it, it doesn’t matter. Lets all get out to those cinemas and support a unique film maker. Check out the latest WARCRAFT trailer.

 

WARCRAFT release begins in France, Belgium & The Philippines on the 25th of May with the rest of the world following shortly after, 30th of May in the UK (which is also Duncan’s Birthday!). China 8th June, US 10th June, Japan 1st of July. Full list of release dates on IMDb.

 

Oh! Another bit of MOON related news, Dark Bunny Tees now have an officially licensed range of MOON gear if you fancy a mooch over on their site 🙂 

 

If you want to say hi to Duncan, you’ll find him most days over on Twitter.

 

Keep up to date with further Duncan related news with on Twitter, or Facebook.

Exclusive Bowie vinyl for Bologna MAMbo

 

“I colori della vita, Dei cieli blu”

 

Ragazzo Solo, Ragazza Sola, the Italian language variation of Space Oddity, is getting a special blue vinyl 7” release to celebrate the opening of David Bowie Is at the Museum Of Modern Art (MAMbo) in Bologna, Italy.

The Italian vocal for Ragazzo Solo, Ragazza Sola (which translated means Lonely Boy, Lonely Girl) is not Space Oddity sung in Italian, it’s an entirely different song with Italian lyrics written by Mogol and sung in Italian by Bowie to the same music as Space Oddity.

The single was originally released in Italy in 1970. The new version will be released in a variation of its original Italian picture sleeve, as pictured here, and with a different b-side to the original.

A significant quantity of the limited edition red vinyl iSELECTBOWIE will also be made available at MAMbo.

 

+ – + – + – + – + – + – + – + – + – + – + – + – + – + – +

 

DAVID BOWIE – RAGAZZO SOLO – RAGAZZA SOLA LIMITED EDITION BLUE VINYL 7”

Release Date July 14th for the exhibition opening at the MAMbo in Bologna.

 

A-Side Ragazzo Solo – Ragazza Sola (Stereo)

Produced by Gus Dudgeon

 

B-Side London Bye Ta-Ta (Mono)

Produced by Tony Visconti

 

+ – + – + – + – + – + – + – + – + – + – + – + – + – + – +

 

The MAMbo run of David Bowie Is commences on July 14th and will run through to November 13th 2016. This will be the last chance to visit the V&A’s record breaking exhibition in Europe before it goes to Japan in January 2017. More details here.

 

#DBisMAMbo  #DavidBowieIs  #BowieVinyl