Singing old songs we loved…
If you can get along to ‘Darkness and Disgrace’ (see 01/17/01 NEWS: BOWIE GETS THE CABARET TREATMENT IN LONDON) before the last show on Sunday the 28th, then don’t hesitate, it really is a very clever and most entertaining piece. “A musical cabaret from the songs of David Bowie”, ‘Darkness and Disgrace’ is a touching performance that claims to be about songs and “how a good song can be a powerful thing, living in the imagination in ways that the songwriter may never have foreseen”.
There really are some inspired musical moments in the piece such as the marriage of ‘Tired Of My Life’ and ‘It’s No Game’, and pretty well all of the arrangements, despite their sparseness (most are performed using only piano and voice and occasionally guitar) prove how magical these songs truly are. But if you’re expecting a tribute band, then don’t go. Des de Moor never attempts to look or sound like David Bowie, and ‘Darkness and Disgrace’ is all the better for that. Without these distractions the focus on the songs themselves is even sharper.
Russell Churney and Des de Moor
The dialogue is also a treat. From Mr de Moor’s first sighting of the ‘Starman’ on Top Of The Pops, via an excerpt from ‘1984’ that brilliantly introduces a stunning performance of ‘We Are The Dead’, through to pianist Russell Churney’s straight reading, concerning mental illness, from David’s infamous Playboy interview of 1975. It’s clear that both of these men were deeply affected by David Bowie and his music in their youth and that they still feel he writes meaningful songs today, this is borne out by their performance of ‘I Have Not Been to Oxford Town’.
I do intend to post one of the songs from ‘Darkness and Disgrace’ as a stream, along with an interview with Des and Russell in the very near future, but in the meantime here is an excellent review by BowieNetter Dick Mac, accompanied by a couple of shots I took on the night.
Total Blam Blam – (European Correspondent)