(she Can) Do That Is Out Today

Keep going, don’t stop now…

Don’t forget that the Stealth Motion Picture Soundtrack CD that we told you about a couple of weeks ago is in stores across the USA today. (06.24.05 NEWS: DB TALKS ABOUT STEALTH SOUNDTRACK COLLABORATION)

The album contains the new collaboration created specifically for the soundtrack, (She Can) Do That by David Bowie and BT, which we gave you an exclusive preview of in aforementioned news piece.

If you’re unlikely to be getting your hands on a copy of the CD today, you may want to console yourself in the short term with another snippet of (She Can) Do That via the Stealth media player on the Epic Records site. (Track #4)

If you’re clever, you can listen to the first 43 seconds of this latest sample, then immediately play the sample we posted (which continues from that point) and hey presto!… You have a tantalising 1:13 minutes of the total 3:15 minute track!

The film itself is released in North America on July 29th and throughout the rest of the world over the following months.

Bowie's Spaghetti Western On Region 1 Dvd

Crazy eyed man with a shotgun… (Actually, it’s a rifle!)

I’m sure you all remember David Bowie’s unforgettably stylish performance as Jack Sikora in the Italian film Il Mio West back in 1998. Well, the coolest spaghetti western of all time finally gets an official Region 1 format DVD release through Columbia Tristar Home on September 6th, albeit with the more American friendly title, Gunslinger’s Revenge.

Directed by Giovanni Veronesi, the 86 minute film also stars Leonardo Pieraccioni, Harvey Keitel and Sandrine Holt.

Click on the cover of dubious origin above to reach the excellent Il Mio West page on the Italian Bowie fansite, Velvet Goldmine, where you can view lots of photos taken during the filming, and you can even read on-set reports if you have a grasp of Italian.

Iggy Pop Talks Db In Mojo Magazine

I’m gonna out on the street and do anything I want…Oh shit

The current issue of MOJO magazine (August 2005) has an in-depth interview with Iggy Pop that is teased on the front cover thus: IGGY POP “BOWIE SAVED MY LIFE” THE MOJO INTERVIEW.

The five-page feature makes a few mentions of David Bowie, from Iggy’s first meeting with him in 1971, through the recording of Raw Power, meeting with DB again in 1975, The Station To Station Tour, recording The Idiot and Lust For Life and having his first chart hit with Real Wild Child from Blah Blah Blah in 1986.

Here’s one of those bits…

And then you bumped into David Bowie again, early in 1975…

“I was walking down Sunset Boulevard in intense sunlight, three in the afternoon, a particularly miserable place to be walking. A stretch limo slowed down next to me, the window rolled down and a very pale, thin, animated and essentially happy, at least about his work, David Bowie stuck his head out.

So I came along with him to listen to his new record for a couple of days, Station To Station, a great fuckin’ record. That sorta got us in touch. He proposed we go in a 4-track and try some things, and we did. And one of them later became the nucleus of the song Turn Blue on [1977’s] Lust For Life.”

What a lovely mental image that conjured, though I’m not sure how accurate the description of DB’s car as a stretch limo is.

Much activity on the Iggy front right now. Apart from the ongoing Stooges dates, here’s a list of recent and forthcoming Iggy product:

Raw Power book – Iggy & The Stooges photographed by Mick Rock (published May 2005)

A Million in Prizes: Iggy Pop The Anthology (38-track double disc, career retrospective released July 18 2005)

Iggy Pop – Live At The Avenue B (21-track DVD released July 18 2005)

Various Stooges goodies including the Heavy Liquid 6 CD box set due on July 18th and the deluxe re-issues of the first two albums, The Stooges and Fun House, with bonus discs, due on August 15th.

Pre-order A Signed Copy Of Floidoip's Book Now

Made for a real world…

I know many of you reading this are already perfectly aware of BowieNetter Floidoip (aka Jim Hyde) via his contributions to the BowieNet MBs and Galleries over the years. And indeed, many of you have already pre-ordered Jim’s book of poetry, Up The Hill Backwards, which is due shortly.

Here’s a few words from a review by Josh Aterovis, Reviewer and Author of the Killian Kendall Mystery Series.

“Powerful and personal, Jim Hyde’s poetry is made even more meaningful because every poem is autobiographical — his joy, his pain, his life is laid bare through his words. You will be changed.”

Last month Jim gave an in-depth interview to Josh Aterovis. It’s a moving and poignant piece that certainly puts things into perspective for those of us floating blissfully along, untouched by any of life’s real problems. Here’s an excerpt:

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Q: You mentioned your upcoming book, Up the Hill Backwards. When and why did you start writing poetry?

I began writing poetry about five years ago as a way to vent, a way to describe, and a way to release all of the things I had inside of me that became too much to carry. As I continued to write, I discovered the beauty in words resulting in a turn in my style.

I now write of the dark and the light, which is evident in Up The Hill Backwards. Life is far from all bad and I wanted to reflect that.

Q: What made you decide to publish your poems in book form?

I believe my book carries some very potent messages as it came from my gut, from my experiences, which I believe to be extraordinary. There are few who have lived as long as I have with this illness and this has given a certain power to my day to day life. The book is not all about AIDS, but AIDS colors all that I do. I would like for people to be able to see from that perspective. I hope to open eyes and, to the best of my writing ability, bring my experience in a way that is heartfelt.

Q: What would you say is your philosophy of life?

Live now. Stop and see what is around you. Serve others and stay open to the many rewards that return to you.

Q: What is your current outlook on life?

I am preparing to die, again. I have not been this sick, in pain and weak, in many years. I am as ready as one can be. That being said, I am going to live fully in the now and get in all of the experiences that I can. Example: I have been skydiving for the first time, twice this month. The sky is the limit!

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I can’t really think of anything to say that doesn’t seem pathetically inadequate after that. So I’ll leave you with more from Jim’s interview on the subject of how he first got involved with BowieNet, and a couple of lovely anecdotes that illustrate just how warm BowieNetters and DB can truly be.

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Q: How did you become involved with David Bowie and what has that meant to you?

Ha Ha! David Bowie. I am glad you asked.

I was always the odd man out growing up. I remember vividly sitting in Windy’s Hot Dog Stand in Margate, NJ, now long gone, and hearing something so different I’d never heard anything close to it before. It was an automatic fit, Space Oddity, as I was to find out when I ran to the jukebox to see who made this new sound, this music. Someone who was androgynous at the time as I was. I wasn’t alone! Amazing! Ha Ha Ha! I felt… well, like a kid, but a kid who was not alone. I was young, but certainly not a kid anymore 😉

I have followed his music for 34 years now, going to each concert with the release of every new album. I came to find that Bowie is an extraordinary composer, singer and performer — much more than a pretty face and a wild costume. It was a huge relief to know I wasn’t alone in being able to be who I am. Not everyone has that freedom. Bowie has always been at the forefront, if not ahead, of what is happening in the world.

Of this was born B-Net, a wonderful fan site brimming over with talented members, many of whom have become good friends in real life. I often visit the Gallery section of B-Net, which is full of art, poetry, photography, and music — all by members. I had journaled a bit previous to B-Net, but here I became inspired and began writing poetry. There are also message boards that I have been on every day for years now. I’ve always felt a freedom to write anything that was going on in my life, all of its ups and downs.

Bowie (Sailor is his nick on B-Net) frequented the boards, sometimes writing his own messages, sometimes replying to others. I, not being shy, e-mailed him a few times, once about using the title of one of his songs ?Up The Hill Backwards? for the title of my poetry book. I of course kept the reply in which he said, “I am honored that you would ask. Please go ahead. I know it will be a marvelous work. You have my respect.” My heart nearly flew out of my mouth, ha ha! It has been five years since then, and the book is finally complete, needing only to be printed. This will be done in the next month or two. My illness has put the completion of Up The Hill Backwards on the back burner several times.

Now, the icing on the cake: I had been e-mailing him for years, saying how perfect Atlantic City would be for a concert, even sending demographics of stadiums. I’m certain I had nothing to do with it, but David Bowie came to Atlantic City on Memorial Day Weekend last year. I had just had a naval hernia operation four days prior to the first night, for which I had a ticket. I had posted on the boards that I wasn’t allowed out of bed and could not believe that Bowie would be playing just blocks away, yet I would not be able to see him.

My phone rang off the hook from friends and B-netters who promised that they would take care of me and that I had to go. Who am I to argue? I took a cab, met some friends and we joined a group from davidbowie.com as we always have a get together for his shows. Everyone was wonderful, making sure they were very careful with me. I met a woman from B-Net who knew of my operation and gave me her seat at the Gypsy Bar where we gathered. She (Kat_Eyes) asked if I would like to sit with her in the third row. I couldn’t believe my ears and quickly jumped on this opportunity! Time came for the show.

An usher took us to our seats, except he passed right by the third row and seated us right in the front! A night of miracles, I thought. David Bowie was singing his heart out perhaps fifteen feet away. I was in disbelief. How exciting to be so close to the man whose art you have admired for three decades. I must add the band was spectacular to be able to put out music so complicated, seemingly with ease, and with such emotion. I hoped for a wink or a wave, but after the song “Pablo Picasso,” I will never forget, David Bowie said, ?This one’s for Jim!” I immediately became a young schoolgirl and began crying. The audience left me the only one standing aside from Kat_Eyes, who pretty much held me up as he sang “Heathen (The Rays).”

This was easily the most powerful and poignant moment in my life. I believe Bowie knew me well enough through my writing on davidbowie.com to select this particular song for me. It was a tailored fit.

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You can read the interview in full by clicking on the rather handsome shot of Jim above, and you can pre-order Up The Hill Backwards by clicking on the book cover above. All pre-ordered books will be signed by Jim, and the more pre-orders the book receives before it’s actually printed, the better. So go get it now.

Suffragette Cities Poster Exhibition And Book

Well, ain’t that poster love?

An exhibition taking its name from a David Bowie song and celebrating the poster art of the period 1972 to 1982 is due to open in London next Monday. Above is but a small smattering of posters from the exhibition, which will also form the basis for a book to be published in the autumn of 2006.

Here’s the stuff from the press release…

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The Gallery at Pentagram presents Suffragette Cities: Cult rock posters from London and New York 1972-1982

For a decade in the 1970s, rock music was dominated by the Transatlantic trade route between London and New York. From glam through punk and new wave to the birth of hip-hop, the musicians of the two cities existed in an uneasy relationship, torn between collaboration and rivalry, inspiration and suspicion.

The musical connections were replicated in the imagery adopted by these artists. Suffragette Cities is the first exhibition to celebrate this love/hate affair, with a selection of original posters that illustrate the links. It brings together iconic images and fabulously rare pieces, often battered by the passing years, but still uniquely capable of offering a graphic account of how London saw New York at a time when both were becoming increasingly distant from their own countries.

Featuring posters promoting the David Bowie, New York Dolls, Roxy Music, Brian Eno, Lou Reed, Ian Dury, Patti Smith, Adam & The Ants, Blondie, The Ramones, X Ray Spex and many, many more. Suffragette Cities is curated by Roger Crimlis, former guitarist with My Life Story, and Alwyn W Turner, author of The Biba Experience.

PINUPS – CULT ROCK POSTERS 1972-82 – FROM BOYS IN DRAG TO BUFFALO GALS is a book by Crimlis and Turner based on this collection of posters that is due to be published in Autumn 2006 by Aurum Press.

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Here’s some other useful stuff…

The Gallery at Pentagram
11 Needham Road
London W11 2RP
Tel: +44 (0)20 7229 3477

Suffragette Cities runs from July 11th to August 12th 2005.
Open Monday-Friday 10:00am – 5:30pm – Saturdays by appointment only – Admission free
Tube: Notting Hill Gate (Central Line, District & Circle Lines) or Westbourne Park (Hammersmith & City Line)

Click on Twig The Wonderkid on Ziggy‘s shoulder to get to the Suffragette Cities site.

Criterion Tmwfte Dvd With Db Commentary

Talking ’bout his family and the heat back home…

Thirteen years after the release of the excellent and beautifully packaged The Man Who Fell To Earth laser disc (see below) the film is to get the same treatment as a double DVD via The Criterion Collection again. (See above)

Due in September, one of the more exciting features of this release is the inclusion of the audio commentary by Nicolas Roeg, David Bowie and Buck Henry.

Here’s a bit from the Criterion site:

The Man Who Fell to Earth is a daring exploration of science fiction as an art form. The story of an alien on an elaborate rescue mission provides the launching pad for Nicolas Roeg?s visual tour de force, a formally adventurous examination of alienation in contemporary life. Rock legend David Bowie completely embodies the title role, while Candy Clark, Buck Henry, and Rip Torn turn in pitch-perfect supporting performances.

The film?s hallucinatory vision was obscured in the American theatrical release, which deleted nearly twenty minutes of crucial scenes and details. The Criterion Collection is proud to present Roeg?s full, uncut version, in this exclusive new director-approved high-definition widescreen transfer.

DIRECTOR-APPROVED SPECIAL EDITION DOUBLE-DISC SET FEATURES:
~ New, restored high-definition digital transfer, supervised and approved by director Nicolas Roeg
~ Exclusive audio commentary by Roeg and actors David Bowie and Buck Henry
~ Performance, a compilation of new video interviews with actors Candy Clark and Rip Torn
~ New video interview with screenwriter Paul Mayersberg
~ Audio interviews with costume designer May Routh and production designer Brian Eatwell
~ Multiple stills galleries, including Routh?s costume sketches; behind-the-scenes photos; and production and publicity stills, introduced by set photographer David James
~ Gallery of posters from Roeg?s films
~ Trailers and television spots
~ Optional English subtitles for the deaf and hard of hearing
~ Plus: an exclusive reprint of Walter Tevis?s original novel, courtesy of Vintage Books, and a booklet featuring a new essay on the film by critic Graham Fuller and an appreciation of Tevis by novelist Jack Matthews
~ More!

If you’ve never owned a DVD version of what must be the most stylish film ever made, it’s definitely worth waiting until September for this Criterion Collection special edition.

Labyrinth Of Jareth Masquerade Sold Out


Gwnavere and Sarah…Please don’t ask me which one is which!

We’re choosing the path between the stars…

BowieNetter Gwnavere has been in touch to say that tickets for this Friday’s Labyrinth of Jareth, the eighth annual Labyrinth masquerade ball, have completely sold out…which is a little annoying as I had my Ludo costume all sorted. (What do you mean I don’t need a costume?!)

Anyway, here’s some stuff for those of you interested in such things, and Jareth knows there are enough of you out there…

MASQUERADE CONCEPT: Based upon Celtic Faerie Lore, realms of myth, fantasy and fueled by the art and stories of Sypher Studios, the masquerade has evolved into a convergence of inspirations. Our title is a homage to those who’ve inspired us and the event has become a realization of artistic drive bringing fantasy and diversity into a single night within our Court.

Surrounded by art, music and masqueraders we submerge you into fantasy realms as the world fades into surrealistic memory. Sypher Studios offers this night to welcome new dreamers into the folds of these inspirations, celebrate with our friends and allow everyone a rare chance to lose themselves within the experience.

OUR PURPOSE: in creating and hosting Labyrinth of Jareth is to pay homage to the artists and dreamers that have influenced the rogue artists of Sypher. Legendary creators like Jim Henson, Brian Froud, and JRR Tolkien. Our works have often drawn from the Arthurian Legends and Mythic Tales that bind all dreamers together.

Click on Gwn to reach the official Labyrinth masquerade site where you can view all manner of astonishing things. Gwn will be joined at this exciting Hollywood event by a murder of BowieNet masqueraders, Saxonny, Sharkdiver, MissTiffany, AlorinDanya and LetThereBeKaty to name but five. Apparently RogInLA is organising a big meet up for BowieNetters for the night after in Burbank. I’m sure you can find out more about all of this on the BowieNet MBs.

Personally, I felt Labyrinth was a little far-fetched…though I have to admit the tights did do it for me.

Last Week's Bowienet View At Redferns Gallery

Halloween Jack is a real cool cat…

As many of you know, last week a gaggle of BowieNetters converged on the small, but perfectly adequate, Redferns Galley in London. It was a real pleasure to see so many familiar faces on the day, not least of all David Bowie’s about fifty times.

As I say, I knew many of the visitors, apart from a man and wife who had clearly dragged their two children along… At least I presumed the children were most likely there against their will. How wrong I was.

Jack, the eleven-year-old-boy in the brother/sister combo, was as enthusiastic as anybody else in the room at the sight of so many beautiful and iconic photographs of DB.

After grabbing the snap above, I asked him if he wouldn’t mind dropping me a few lines about what exactly it was that made one so young gravitate toward all things Bowie…

It hadn’t even occurred to me at that point that most of the BowieNetters in the room first discovered the same man at precisely the same age. Indeed, I was eleven myself when the mesmerising magic spell of the Starman himself was cast upon me.

Anyway, Jack kindly got back to me, and here’s what he said:

“I got into Bowie when my Mum (who is also a huge bowie fan) was playing the album “Reality” in her car. I really liked it. I thought it was a 57 year old man at his best. Although I heard the classic “Space Oddity” way before that.

I own lots of Bowie music. I usually tend to listen to my mum’s albums but here is my collection: Pin Ups, Diamond Dogs, Heroes, Lodger (I love that one, personally), Let’s Dance, Tonight (not his best), Outside, Earthling, Hours, David Live, Stage and a copy of the bonus live disc that came with the special edition of Bowie At The Beeb. Though my Mum has a much better collection, for she has classics like Hunky Dory and Ziggy Stardust.

My favourite period is definitely the 70s. Bowie created such fantastic music back then. And it was very different each year. Hunky Dory is a beautiful, poetic album with minimalist instruments like guitar and piano. While Low is completely different with its keyboards and synthesizers. Compare tracks like “Warszawa” and “Eight Line Poem”, for example.

Also, while I don’t think Bowie was trying hard enough with 80’s albums like “Tonight” and “Never Let Me Down”, “Scary Monsters” and “Let’s Dance” are fantastic.

My favourite Bowie look must be the early 70’s look. You really couldn’t get anything cooler. And he was glam. But in a really cool way.

Another good thing about Bowie is the way he beautifully reinvents himself. Take Heathen for example. What? His best album since Scary Monsters? Surely… And take that new version of “Rebel Rebel”. No one could re-make songs quite like Bowie. And furthermore, Bowie is one of the most talented musicians to stand today… From Jack d’Albiac

Thanx Jack. So good to see that the work of David Bowie continues to appeal to every new generation of music fans.

After a few hours at the gallery, a select bunch (cough) of us repaired to the local hostelry to partake of alcoholic mood enhancement…And, as you can see from the picture below, what a right royal laff it was.


A bunch of BowieNet drunks, who really should know better, attempt the Ziggy Stardust eye thing.

If you’re a BowieNetter and you feel you can stomach even larger versions of pictures like the one above, then click on the nutter at the front’s pint!

The David Bowie: Pin Up exhibition runs until August 6th – BowieNetters can continue to get a 10 per cent discount off of the pictures in the gallery which can be viewed by clicking on Jack.

Luther Vandross Dies Aged 54


Luther Vandross and David Bowie on stage in America in 1974.

(Fascination) Your soul is calling…

Sad to report that soul legend Luther Vandross has died at the age of 54. Vandross died peacefully yesterday at the JFK Medical Centre in New Jersey, after suffering long-term ill health.

In 2003 he suffered a debilitating stroke which left him in a wheelchair and he had been battling diabetes and hypertension alongside fluctuations in his weight for many years.

Bowie fans may remember Luther best for his work with David Bowie during the Young Americans period. Luther’s first break in the music business came via Bowie, when he was invited by an old school friend and workshop colleague, Carlos Alomar, to join him in the studio with David Bowie for the recording of Young Americans. While recording the album at Sigma Sound Studios in Philadelphia, David overheard Luther singing and he was invited to join the backing vocalists on the album.

Luther was also asked to sing backing vocals for David during the latter part of his The Year Of The Diamond Dogs Tour joining the tour at the Universal Amphitheatre in Los Angeles on 2nd September 1974 with a revamped band. In October, the tour had become known as the Philly Dogs/Soul Tour, and Luther stayed with it until the end of the tour on 1st December 1974.

Vandross also shared a songwriting credit on Young Americans when the recording of the album resumed in November and David partly re-wrote Luther’s own Funky Music (Is A Part Of Me) as Fascination. You can hear Luther’s version of Funky Music on his self-titled 1976 debut album, Luther.

Luther sang backing vocals one more time with David on the song Underground for the Labyrinth soundtrack.

During his immensely successful solo career, Luther Vandross notched up eight Grammy Awards and sold over 25 million records.

Single Disc Live Aid Dvd Out Next Week

We could steal time, just for one day…

I’m pretty sure those of you interested in the Live Aid DVD already have the excellent 4-DVD set released last year. (08.26.2004 NEWS: LIVE AID 4-DVD SET DUE FOR NOVEMBER) But, be that as it may, I’m duty-bound to report that July 4th sees the release of a limited edition single disc version which has highlights of the 4-disc set, including David Bowie’s majestic performance of “Heroes”.

Here’s the stuff from the press release…

To celebrate the 20th anniversary of Live Aid, Warner Music Vision are proud to release Live Aid ?20 Years Ago Today?, an exclusive DVD of highlights from the biggest concert in Rock ?n? Roll history. The DVD captures memorable performances from international heavyweights such as David Bowie, Paul McCartney, U2, Queen, Elton John and Madonna and is released on 4 July 2005.

Live Aid? 20 Years Ago Today? will be available for a limited time only and offers selected highlights taken from the Live Aid 4-DVD box set. This concert film was created for the London première launch of Live Aid on DVD through Warner Vision last November. The edited package gives viewers a taste of the incredible day and is a fantastic way to mark the 20-year anniversary of the event that has been hailed as ?The Biggest Rock Event In History’.

On 13 July 1985 the biggest artists in the world took to the stage in London and Philadelphia to raise money and awareness for the world?s poorest people. Brought together by Bob Geldof the remarkable and unsurpassed line-up of artists performed with evident passion, united in their unequivocal support for Live Aid, and to this day those that took part in the event still speak of it with awe.

Described by the world?s media as ?The Global Jukebox?, ?The Day Rock and Roll Changed the World? and ?The Day The Music Changed The World’, Live Aid was a cultural landmark that realised the true potential of music. The full show, which offers 10 hours of incredible concert footage, is available in shops now through Warner Music Vision and this 52-minute anniversary concert film, out on 4 July 2005, brings together exclusive highlights from that phenomenal event.

So there you have it…whether you need the DVD or not, you know how worthwhile a cause it is. Particularly now.