Somebody plays my song in tune…
BowieNetter Chris Gaffney (who apparently gets regularly mistaken for the wee gay fellow in Boyzone these days) should put in a PR invoice to Aslan for the fine job he does of spreading their name outside of Ireland.
Chris (who reckons he owns a Pringle with a bizarre likeness of Ziggy on it) told us about Aslan’s cover versions of Five Years and Rock ‘n’ Roll Suicide back in 2005. (10.20.05 NEWS: ASLAN AND MICHAEL BALL HAVE BOWIE COVERED)
Now Mr Gaffney (who is scared of the sea yet built a house half a mile from it, claiming he didn’t know it was there) has informed me that the band have tackled Quicksand on their latest album, UNCASE’d, which was released last Friday (23rd).
As ever with Aslan, it’s a faithful and heartfelt rendition clearly made by fans of Bowie’s music.
Also hats off to the band for daring to cover Gilbert O’Sullivan‘s Nothing Rhymed…too guilty a secret for most folk to publicly admit, though I have to say I’m a bit partial but can’t agree with Rex Ray that Ooh-Wacka-Doo-Wacka-Day was Gilbert’s finest hour.
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We first told you that A Camp had been wowing audiences with their live version of David Bowie’s 1979 hit, Boys Keep Swinging, (04.27.2009 NEWS: BOYS HAVE CONTINUED TO SWING FOR PAST 30 YEARS) back in March. (03.05.2009 NEWS: BKS FOR BBC iPLAYER AD, COVER VERSION AND MOR)
Well on June 9th you’ll finally be able to purchase their studio version of the track on iTunes and via other digital sites on June 16th.
Here’s a bit from the Band’s official site regarding their version of the Bowie classic…
?BOYS KEEP SWINGING?: Who doesn?t love Bowie? He?s given us so much?and again we thought it would be rocking to hear this particular track come out of a girl?s mouth, also at this point it?s the loudest thing in our live set and is a massive energy release. It?s a totally catchy song as well, and it?s like Bowie just said to hell with it and recorded things in the most train-wrecked non-commercial way he could come up with, almost guaranteeing its commercial failure back in ?79.
Admittedly BKS didn’t do quite as well as that other #1 Bowie single from around this time: Are ‘Friends’ Electric?, but it was top ten.
In fact, BKS can’t really be considered a commercial failure at all, peaking at #7 in the UK singles chart as it did. And with the attendant album, Lodger, reaching #4 on the UK album chart (#20 in the US) I think A Camp would have to agree Bowie’s work from this period was a commercial success.
I’ll leave you with a snippet from an interview with A Camp’s singer Nina Persson over on villagevoice.com…
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Have you noticed a change in your voice over the years?
I think it’s changed very much. Because when I did the first record with The Cardigans, I’d hardly sang at all in my life. That was really me starting to sing and trying to find my way. Record by record- I’m not really close to anything – but it’s really started to change. Since I started from nothing, I didn’t even have the character when I began. So, all the development has been in progress. I also think- there’s been years where I haven’t recorded stuff – I changed as well. It changes as you change as a person. I think it’s also a matter of daring to use your voice. At the beginning, I think you’re shocked that sounds can come out. It’s a matter of confidence.
Do you see that confidence on Colonia?
I fantasized that I was David Bowie when I laid down the vocals. Because I can’t do what he does, but if I try my hardest to be as dramatic as he does, then I become this. You see what I mean? Way over the top. But that was my goal.