Emi To Issue Seven More David Bowie Digital Eps In June

I got seven…

EMI continue their series of David Bowie digital reissue EPs with versions of the above, which were all originally released with the following dates…

David Bowie vs 808 State – Sound + Vision (1990)
Real Cool World (1992)
Pallas Athena (1993)
Nite Flights (1993)
Jump They Say (1993)
Black Tie White Noise (1993)
Miracle Goodnight (1993)

They are all due on June 7th through the usual channels and I’ll leave you with the tracklisting for all seven…

David Bowie vs 808 State – Sound And Vision Remix EP
1. Sound And Vision (808 Gift Mix) (3.58)
2. Sound And Vision (808 ‘lectric Blue Remix Instrumental) (4.08)
3. Sound And Vision (David Richards 1991 Remix) (4.40)
4. Sound And Vision (3.03)

Real Cool World
1. Real Cool World (Album Edit) (4:16)
2. Real Cool World (Radio Remix) (4:24)
3. Real Cool World (Cool Dub Thing 1) (7:29)
4. Real Cool World (12″ Club Mix) (5:30)
5. Real Cool World (Cool Dub Overture) (9:12)
6. Real Cool World (Cool Dub Thing 2) (6:56)

Pallas Athena
1. Pallas Athena (Album Version) (4:40)
2. Pallas Athena (Don’t Stop Praying Remix ) (5:38)
3. Pallas Athena (Don’t Stop Praying Remix No. 2) (7.24)
4. Pallas Athena (Gone Midnight mix) (4.20)

Nite Flights
1. Nite Flights (Album Version) (4:37)
2. Nite Flights (Moodswings Back To Basics Remix) (10.01)
3. Nite Flights (Back To Basics Remix – Radio Edit) (4:37)

Jump They Say
1. Jump They Say (Radio Edit) (3:53)
2. Jump They Say (JAE-E Edit) (3:58)
3. Jump They Say (Club Hart Remix) (5:05)
4. Jump They Say (Leftfield Remix) (7:41)
5. Jump They Say (Brothers In Rhythm 12″ Remix) (8:26)

Black Tie White Noise
1. Black Tie White Noise (Radio Edit) (4:10)
2. Black Tie White Noise (Extended Remix) (8:12)
3. Black Tie White Noise (Urban Mix) (4:03)

Miracle Goodnight
1. Miracle Goodnight (Album Version) (4:13)
2. Miracle Goodnight (12″ 2 Chord Philly Mix) (6.22)
3. Miracle Goodnight (Maserati Blunted Dub) (7.40)
4. Miracle Goodnight (Make Believe Mix) (4.30)

Sro Video Of Bowie Tribute Rehearsals Online

Friday On My Mind…

Those unable to attend the above event, which we told you about in January, (01.19.2010 NEWS: SRO BOWIE TRIBUTE TICKETS ON SALE FRIDAY) may be able to console themselves a little with a video from rehearsals that the SRO have posted on their MySpace page.

Hopefully they will make the whole live performance available on there shortly.

Tickets For New Run Of Come, Been And Gone On Sale Now

We learn dances, brand new dances…

Michael Clark‘s brilliant come, been and gone (described by The Observer as “an outrageously gorgeous piece of modern dance”) returns to the Barbican in London and the Brighton Dome in June.

If you’re interested in this I’m sure you will have read some of the numerous items we have posted regarding it, these two being the most recent: 12.04.2009 NEWS: BERLIN IS LAST CHANCE TO SEE CLARK’S COME, BEEN, GONE & 12.09.2009 NEWS: MICHAEL CLARK…THE INTERVAL STUFF

Tickets are now on sale for the Barbican run here and the Brighton Dome date here…there only seems to be one Brighton date at the moment.

Michael does tend to tweak his performances over the course of his engagements, so I don’t know how close to the last version this come, been and gone will be…however, rest assured you will see some stunning dance set to some of the best music ever recorded by David Bowie, Lou Reed and Iggy Pop.

Scott Walker: 30 Century Man On Blu-ray In The Uk

Watch That (30 Century) Man…

Finally released this week on Blu-ray (BD) in the UK is Stephen Kijak‘s excellent Scott Walker – 30 Century Man.

The extras seem to be the same as the DVD version, (06.24.2007 NEWS: KIJAK CONFIRMS MORE BOWIE ON SCOTT WALKER DVD) but I don’t need to tell those of you already converted, how much better the picture quality is on Blu-ray.

Verve Pictures in the UK have promised us contest copies which we’ll be giving you a chance to win as soon as we have them.

Read Tv On Db In The Word For Free!

New WORD, that only they can share in…

This plopped on my doormat just before I had a week off and I had no time to scan it or transcribe any of Tony Visconti‘s five-page interview. However, thanx to the generosity of THE WORD, I no longer have to.

The magazine is now available to subscribers online in it’s entirety. The thing is though, David Hepworth (some kind of big cheese at the mag) has encouraged subscribers to “send extracts from it to your friends”. So that’s exactly what I’m doing.

This link takes you to page one and as far as I can see you can navigate through the pages by using the links on the left when you get there…if you need to enlarge a page to read it, simply click on it and drag it around.

Not sure how long this generosity will last but make the most of it while you can.

Bowie Pays Tribute To Floria Sigismondi In Ny Times

You little wonder, you…

I’m sure many of you either saw this on the day of publication or via a Google news alert, but in case you didn’t, it’s worth repeating here.

The New York Times has published a piece about upcoming feature, The Runaways, which we told you about at the beginning of the month. (03.01.2010 NEWS: TWO BOWIE SONGS ON RUNAWAYS SOUNDTRACK PLUS CC TALKS DB)

The article, by Sia Michel, has an interview with the film’s writer/director, Floria Sigismondi, that’s her on the far right in the montage above. As you know, Floria is the brilliant mind behind a promo that’s in my top five Bowie videos of all time, the marvellously surreal Little Wonder.

She also directed the equally bizarre but stunningly beautiful Dead Man Walking video, a still from which adorns the cover of her book of photographs, Redemption…the book contains several other stills from both videos.

Anyway, here’s a bit from that NY Times piece, wherein, via e-mail, Bowie spoke highly about Sigismondi and her working methods…

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Born in Italy to opera singers, Ms. Sigismondi moved to Canada with her family when she was 2. She grew up doing her homework in opera houses, surrounded by people in costume, she said, and dreamed of becoming a painter. After art college she embarked on a career as a fashion and art photographer; her work has been widely exhibited and collected in two books. In the early 1990s a production company suggested she make the leap into directing music videos. ?Instead of coming up with one image, I had to come up with 100 images,? she said. ?But I loved it right away. Now I was able to be more conceptual.?

The biggest legend she has ever worked with is Mr. Bowie. The video for his 1997 song ?Little Wonder? is a quick-cut barrage of eyeballs, eye patches and aliens. ?Floria is a real force of nature, never short of ideas, and meticulous in the way she brings them into play,? Mr. Bowie said in an e-mail message. ?She?s also a little bit crazy, in a dark way, which in a working situation is just fine with me.?

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You can read the full article here.

Above is a still of the Cherie Currie character applying an Aladdin Sane thunderbolt after cutting her hair into a Ziggy(ish) style, along with a glimpse of her in full glam mode performing a Bowie song at her high school…apparently not to an appreciative audience.

The Runaways is in US theatres on March 19th…check out the official site of the movie here.

David Bowie And Iggy Pop On Suck Film Soundtrack

Here comes SUCKcess…

Nobody can have failed to notice that the vampire genre has clicked up a notch or two in the last few years.

It was always going to be hard to top the original Nosferatu, but the genre evolved along the way with films that bent the rules and brought more style to the proceedings…obviously Tony Scott?s The Hunger with David Bowie, Catherine Deneuve and Susan Sarandon did both in a major way.

Today, with the advent of great TV shows such as True Blood and recent films like Tomas Alfredson‘s beautiful Let The Right One In and Park Chan-wook’s deliciously dark Thirst, it seems vampirism has a fair bit of mileage left in it yet.

Rob Stefaniuk‘s SUCK is the latest in this long line and from what I’ve seen on the official site and elsewhere, it looks like it’s yet another great vampire film…with a healthy dose of humour mixed in with the horror.

Here’s the story from the official SUCK site with details of the soundtrack…

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A rock?n?roll vampire spoof about a down and out band, The Winners, who will do anything for a record deal. When their disgruntled manager (Dave Foley) tells them that they are getting ?long in the tooth?, he doesn?t know that his words are truly prophetic. During a road trip, their humdrum image radically changes when Jennifer (Jessica Paré), the bass player, disappears one night with a hip vampire (Dimitri Coats). She emerges with a sexually charged charisma that drives the audiences wild.

As the band members succumb, one by one, to blood lust, their ?gimmick? launches them into the limelight. Following an ?incident? on a national radio show with ?Rock?n Roger? (Henry Rollins), they hit mega-stardom beyond their wildest dreams. Joey (Rob Stefaniuk), the lead singer, is haunted by an eerie bartender (Alice Cooper), who turns out to be much more. Meanwhile, legendary vampire hunter, Eddie Van Helsig (Malcolm McDowell), is tracking them down, despite his fear of the dark. When a veteran music producer (Iggy Pop) calls them on becoming a vampire freak show, they begin to realize that fame is not what it?s cracked up to be.

Suck is a wild ride down a highway to hell, with a killer soundtrack that includes Iggy Pop?s, ?TVeye? and ?Success?; Alice Cooper?s, ?I am a Spider?; Lou Reed?s Velvet Underground?s ?Sweet Nuthin?; David Bowie?s, ?Here Comes the Night? and The Rolling Stones, ?Sympathy for the Devil?.

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SUCK premiered in September 2009 at the Toronto International Film Festival. Americans get their chance to see it when it plays in Austin at a South By Southwest midnight screening on March 17th. There will be two additional screenings in New York City, at the Museum of Modern Art on Friday, March 19th at 7:15pm and Monday, March 22nd at 7pm.

As Rolling Stone magazine says: “Suck has the potential to become a cult classic”.

All Is Hunky Dory On Gorillaz' Plastic Beach

I asked for an autograph…

Those of you that saw the five star review in the Sunday Times for the Gorillaz latest, Plastic Beach, may have noticed the image of band member 2D (Damon Albarn‘s alter ego) cradling a copy of Hunky Dory. The same picture also appears in the booklet for Plastic Beach.

I’m not sure what the story behind the image is, whether it is relevant to the Plastic Beach game, a request of 2D’s/Damon’s, or just something from the imagination of Jamie Hewlett…anybody out there know the relevance?

Whatever the intention, once I broke out my magic tool and enhanced the image, the above inscription became visible: “TO 2D LOVE DAVID X”.

Watch this space for answers…possibly.

Untitled Tribute To David Bowie Gets A Title

I am with name…

Manimal Vinyl‘s tribute to David Bowie that we last mentioned in January, (01.03.2009 NEWS: UNTITLED TRIBUTE TO DAVID BOWIE TRACKLISTING UPDATE) but have been mentioning since around 1974, has now got a title…as you may have spied from the cover above, it’s called Repetition – A Tribute To David Bowie.

This is slightly unfortunate as there has already been a Bowie tribute album called Repetition which we featured on these pages in 2007 and which you can still read all about here, if you fancy it.

The Manimal version (MANI-025) is due on May 14th and you can pre-order the limited edition double CD here. It’s also worth noting that 100% of the proceeds from the sale of this album go to WAR CHILD UK.

The Prettiest Star And World Of David Bowie Are Forty

It can all but break your heart, in pieces…

March 6th 1970 saw the release of both an album and a single for David Bowie in the shape of the Mercury 45, The Prettiest Star/Conversation Piece, and the Decca album, The World Of David Bowie.

The Prettiest Star was the beautifully melodic and worthy follow-up to Space Oddity and yet another label change for Bowie. Mercury was the sixth label that David had released UK singles on.

However, it looked like Mercury’s faith was well-placed with the signs looking good for another top ten UK hit, as suggested by this NME review of the single…

Sadly it was not to be and taking in to account the gentleness of both sides of the 45, it was an unusual follow-up considering David was plugging his new, rather loud, electric band, The Hype, in both the press and on stage at the time of the single’s release.

As you know, DB recognised how strong a song The Prettiest Star was and rescued it for the 1973 Aladdin Sane album, with Mick Ronson faithfully recreating Marc Bolan‘s original solo.

David also re-recorded the B-side, Conversation Piece, thirty years later for the Toy project and finally issued that version in 2002 as a Heathen bonus track.

Despite their blasé attitude towards Bowie’s post-Deram album offerings, DECCA realised it was time to cash in their chips following the Philips label’s success with Space Oddity, and they did exactly that with The World Of David Bowie (SPA58) on March 6th 1970.

Apparently, Bowie’s manager at the time, Ken Pitt, compiled the tracklisting for the album. He rounded up ten tracks from the original fourteen-track UK Deram album, (marked thus * in the tracklisting below) discarding We Are Hungry Men, Join The Gang, Maid of Bond Street and Please Mr. Gravedigger.

Joining the ten album tracks were The London Boys, plus three unreleased tracks recorded with Tony Visconti in 1968. Here’s the tracklisting…

Side 1
1 Uncle Arthur*
2 Love You Till Tuesday*
3 There Is A Happy Land*
4 Little Bombardier*
5 Sell Me A Coat*
6 Silly Boy Blue*
7 The London Boys (From Deram single DM 107)

Side 2
1 Karma Man (Previously unreleased)
2 Rubber Band*
3 Let Me Sleep Beside You (Previously unreleased)
4 Come And Buy My Toys*
5 She’s Got Medals*
6 In The Heat Of The Morning (Previously unreleased)
7 When I Live My Dream*

It seems from Pitt’s notes in his book, The Pitt Report, that he expected the single versions of both Love You Till Tuesday and When I Live My Dream to replace the album versions for this compilation, though this didn’t transpire.

According to the back of the sleeve, there was also a red label mono version of the album, (PA58) but I’ve never seen one and I doubt its existence…I would love to be proved wrong on this point though. (Happy to report I was proved wrong…see FOOTNOTE below.)

And while there was definitely an Australian pressing of this original version of The World Of David Bowie, I also doubt the existence of American releases of the vinyl album and 8-track cartridge that are widely reported…again, I would be very happy to eat my words if proved wrong.

Illustrated in the montage above is my original copy of the album, complete with the nineteen shillings and eleven pence recommended retail price sticker, (this was pre-decimal) as advertised in the trade press advert, also pictured.

The other two items pictured are the UK 8-track cartridge (ECSP 58) (bottom right) along with its outer cardboard slipcase on the left. This format had the same content as the vinyl version, albeit with the tracks in a different running order.

There will be many of you reading this wondering why I’m waffling on about this release. Well, for those of us that got into Bowie via Ziggy Stardust, this album was our first introduction to this material as the Deram album wasn’t in record store racks by this point.

The plan obviously worked for DECCA who milked these recordings for all their worth via myriad releases around the globe, right up to the present day…but that’s another story that needs a mini-site all of its own.

Having said that, these days they are for more respectful of the Deram/Decca recordings, and, as you know, the most recent release of this material by Universal: David Bowie – The Deram Album (Deluxe Edition) 2-CD in January, (01.18.2010 NEWS: DAVID BOWIE DEBUT DELUXE EDITION UK REVIEW BLITZ & 01.21.2010 NEWS: THE TIMES GIVES FOUR STARS TO DB DELUXE AND REALITY LIVE & 01.25.2010 NEWS: A REALITY LIVE AND DERAM DELUXE RELEASED TODAY) finally treats it with the respect it deserves.

Stay tuned for a contest to win copies of David Bowie – The Deram Album (Deluxe Edition) 2-CD, and if you’ve not already seen it, check out the beautiful Japanese version which houses the CDs in remarkably accurate reproduction mini-sleeves of both the original stereo version of the UK Deram album and the UK The World Of David Bowie original sleeve.

FOOTNOTE: Already had confirmation of the UK mono red label which is now another item on my wants list. Incredible that after thirty eight years of collecting, I’ve never seen one…but then again, I’ve never seen a laminated Hunky Dory, but we know there are a fair few of those out there.

I was relieved to receive confirmation that there were never any US issues on any format of the original TWODB. So the rumour that: “the 8-track cartridge released in the US (Decca ECS P 58) additionally had ‘Silly Boy Blue’,” seems to be one of those repeated errors that started even before the days of the internet.