I’d like to be a gallery…
David Bowie has loaned three paintings from his collection to
The three pieces on loan are all pictured above, and in an anti-clockwise fashion from top left, this is what they are…
Inshore Fishing, 1952. Oil on board. 42 x 29. Collection David Bowie
Trevalgan, 1951. Oil on board. 48 x 45. Collection David Bowie
Witness, 1961. Oil on canvas. 72 x 48. Collection David Bowie
All of the works can be found in Chris Stephens‘ fine book,
The text by David Bowie in the montage at the top of this piece is taken from the back cover of the book.
Here’s the blurb about the exhibition from
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Peter Lanyon has come increasingly to be seen as one of the most important innovative figures in twentieth century British art. Nevertheless, this will be the first thorough retrospective for almost forty years.
Lanyon was the leading exponent of abstract expressionism in Britain in the 1950s. In tandem with contemporaries in America and Europe he developed a new language for painting with his unmatched formal and technical experimentation. Though his roots were in the Constructivism of Naum Gabo, he saw himself as remaking the tradition of landscape painting, using landscape and places to express ideas about states of being and the human condition.
Studies and displays of Lanyon’s art have often focused on the places and experiences from which he said his works derived. This exhibition will seek also to throw light upon the technical qualities of the work, to emphasise his technical innovation and progression. His sculpture will feature alongside his paintings.
The show will be curated by Chris Stephens, Head of Displays and Curator of Modern British Art at Tate Britain.
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