Velvet Stream do Where Are We Now?

“You never knew that we could do that”

Hot-on-the-heels of the MOMUS cover of ‘Where Are We Now?’ (which was even hotter-on-the-heels of Bowie’s own version), London band Velvet Stream have now tackled the song too.

It’s poles apart from the MOMUS rendition, but that’s not to say it isn’t just as accomplished and equally affectionate.

Velvet Stream are a young, five-piece, female-led, alternative pop/rock band with a bright future ahead of them.

Take a moment to check out their delicious take on ‘Where Are We Now?’, you won’t regret it.

Bowie fans make Birthday Boy’s week

“Wham Bam Thank You Fans!”

Since David Bowie made a special announcement on January 8…

The Next Day reached #1 on the iTunes pre-order chart in 26 countries

‘Where Are We Now?’ currently sits at #6 on the UK Official Singles Chart

Pre-orders of the three formats of The Next Day occupied the top three slots on Amazon UK

The David Bowie (Official) Facebook page reached 5.2 million people in seven days

There have been over a million views of the ‘Where Are We Now?’ video on VEMO/YouTube

‘Likes’ for a post on the David Bowie (Official) Facebook page reached a new record when they topped the 100k mark for the Bowie birthday post

‘Comments’ on the same post reached over 8.5k. That’s a lot of Birthday greetings

At one point during the week, there were an astonishing 15 different Bowie back catalogue albums in Amazon UK’s Most Wished For in Glam Rock Top 20 and more than half of the Top 50 was taken up with Bowie releases too

If every word of every article written about David Bowie on Earth since January 8 were placed end to end, they would reach to Mars and back! *

*Depending on the size of the font.

Exclusive Bowie photo from video shoot

“I’m happy, hope you’re happy too”

It’s been a few days since we posted an exclusive shot of David so here’s another of Jimmy King’s pictures, this time taken at the video shoot for ‘Where Are We Now?’.

While we have your eye and just in case you missed any of them, here are links to some of the media pieces that we enjoyed for one reason or another since David’s birthday.

Gary Kemp Interview – BBC – Jan 8

Bowie track Where Are We Now? leaves Kemp in tears

Jonathan Ross – The Guardian – Jan 8

Bowie’s comeback places him back at the centre of the whole shebang

Caitlin Moran – The Times – Jan 8

Bowie’s back and it’s all hunky dory: Thin White Duke returns to his golden years

Neil McCormick – The Telegraph – Jan 9

David Bowie: Is this the perfect comeback?

Gordon Smart – The Sun – Jan 9

A Heroes welcome

Chris Roberts – thequietus.com – Jan 11

The Return Of The Thin White Hope

Alexis Petridis – The Guardian – Jan 12

The inside story of how David Bowie made The Next Day

Herbie Flowers – The Telegraph – Jan 13

David Bowie’s new single made me cry

Bowie v Elvis in NYC Sunday

“The Year Of The Diamond Hound Dogs…”

Those rather flamboyant types at Oh! You Pretty Things have been in touch with details of a rock ‘n’ glam gathering this coming Sunday, January 20, in NYC. Here’s some blurb…

Michael T, Ben Ickies, Twig the Wonderkid and Laura Rebelangel present Oh! You Pretty Things: 2nd annual David Bowie & Elvis Presley Birthday Bash.

“Suspicious Minds & Moonage Daydreams”

Oh! You Pretty Things is proud to present a birthday bacchanalia for rock’s two greatest Capricorns David Bowie and Elvis Presley, Michael T and the Vanities and This Ambitious Orchestra perform larger-than-life arrangements of hit songs from their catalogue along with a live set from the Screamin’ Rebel Angels and burlesque performances by The Love Show, Bettina May, and Brewster for this Vegas-style three ring circus.

Visit Le Poisson Rouge for further details, tickets and the like.

Riot Squad feature in Record Collector

“We are The Riot Squad and we’re coming to town…”

The January issue (410) of Record Collector magazine has an in-depth feature by Ian Shirley regarding Mod sensations, The Riot Squad, punningly entitled The Riot Stuff.

As you may know, David Bowie fronted the band for a brief period in 1967 and while on-board he recorded demos and gigged with them in and around the London area.

The history of The Riot Squad has been largely undocumented in Bowie biographies, but they were an important chapter in his story for a couple of reasons.

Firstly, they were among the very first groups to wear make-up onstage (as evidenced by our exclusive picture), and they also have the very hip claim on being the first band to play a Velvet Underground cover version, even before the band’s debut was released.

David had insisted on including ‘I’m Waiting For The Man’ in the band’s live set along with the ‘Venus In Furs’ inspired ‘Little Toy Soldier’, even recording studio versions of both tracks with the band, neither of which have ever had an official release.

Here’s an excerpt from Ian Shirley’s piece picking up where Bowie joined:

In early March 1967, the band divided, with Gladstone, Crisp and Clifford going off to form soul band Pepper. Evans retained The Riot Squad name, along with Butch and Del. He was quick to recruit Rod Davies (guitar), Croak Prebble (bass) and a new lead singer.

Evans recalls: “I saw David Bowie with The Buzz at the Marquee and thought that he was fantastic. I approached him and he agreed to join.” Though Bowie had a growing reputation in London, like the Riot Squad he lacked a hit record.

Butch was underwhelmed when Evans informed him he’d offered the future Ziggy Stardust the job: “I thought, ‘Oh no, I don’t like him.’ We had supported Bowie months earlier. His presentation was superb, but his material was terrible.” Saying that, when Bowie turned up for their first rehearsal in a Tottenham pub, Butch admits he “fell in love with him because he had such charisma and he looked so cool when he walked in”.

The band had a few days to work up a set-list before their next gig and Bowie took charge in helping to knit together a running order. He even brought in a track from an unreleased LP by a US band called The Velvet Underground, I’m Waiting For The Man.

Butch recalls that, although The Riot Squad set had pop and soul roots, they were open to diverse material such as the Bowie-penned Little Toy Soldier. Bowie also pushed the band to be more theatrical. “He told me, ‘Why don’t you put paint on your face, Butch?’ We became more outrageous. Bob started throwing rags into the audience.

“Bob Evans loved it when Bowie came along,” recalls Butch, “because he was out front with the sax and flute and with tracks like The Vicar’s Daughter we got a bit more like The Bonzo Dog Band. When Bowie came in he had great ideas like Toy Soldier, where he’d whip Bob on stage. They got on like a house on fire because they were both great front men.”

Bowie led the band for around 20 gigs, between March and May 1967, before handing in his notice to go solo again.

“We were serious with David,” recalls Evans. “His material commanded respect, and while I wasn’t exactly hankering to loon about, I’m Waiting For The Man and Toy Soldier pointed that way. I can’t remember when we first chucked rags into the audience, that was post-David, but I enjoyed doing that stuff – all of which would develop at a pace soon after.”

It’s fascinating reading and the story continues in the current edition of Record Collector.

The magazine has kindly given us two exclusive and previously unpublished images of David in make-up from a Riot Squad photo session. Check out David Bowie (Official) on Facebook for an alternative shot to the one here.

Record Collector is also releasing a limited edition Riot Squad album on 180gm vinyl. Though Bowie isn’t on it, the record does include a version of his song ‘Little Toy Soldier’ recorded after he had left the band in 1968.

The album is limited to 750 copies and it will be available from the Record Collector shop at the end of the month.

Markus and Indrani ICONS book

“Pictured in the arms of the Karma Man”

Photographers to the stars, Markus Klinko and Indrani, have collected together some of their best work for the recently published ICONS book. The pair first met David while shooting the cover for Iman’s book, I Am Iman.

Markus and Indrani made the beautiful photographic images of David Bowie for 2002’s Heathen cover and associated releases, working alongside Jonathan Barnbrook’s innovative and stylish design creations to produce a brilliant campaign for the album.

The image shown here is cropped from a full length shot used for the ‘Slow Burn’ single cover in 2002.

Markus has said of the experience: “We felt we grew as artists and revelled in expanding our creative horizons with a true rock and roll legend.”

Where Are We Now? The words

“The moment you know, you know, you know“

If you’ve been trying to decipher the words to the #6 song in the UK Hit Parade but couldn’t quite get them, we’ve made things a little easier by presenting them here.

You may notice slight differences to the words that appear on the video, but the version below is now the correct one.

Where Are We Now? (David Bowie)

Had to get the train
From Potsdamer Platz
You never knew that
That I could do that
Just walking the dead

Sitting in the Dschungel
On Nürnberger Strasse
A man lost in time
Near KaDeWe
Just walking the dead

Where are we now, where are we now?
The moment you know, you know, you know

Twenty thousand people
Cross Bösebrücke
Fingers are crossed
Just in case
Walking the dead

Where are we now, where are we now?
The moment you know, you know, you know

As long as there’s sun
As long as there’s sun
As long as there’s rain
As long as there’s rain
As long as there’s fire
As long as there’s fire
As long as there’s me
As long as there’s you

Happy Birthday Low

“There’ll be others on the line filing past, who’ll whisper Low”

January 14 1977 saw the release of the first of what came to be known as Bowie’s Berlin trilogy. That album was Low and it was followed later the same year by “Heroes” with the trilogy completed in 1979 by the arrival of Lodger.

Most of the music across the three albums wasn’t even recorded in Berlin, the unifying factor actually being Bowie, Visconti and Eno. Low was a Bowie/Visconti production, and not a Brian Eno one as widely misreported.

Much has been written about the brilliance and braveness of the music on Low, and rightly so. It’s probably hard to imagine how absolutely unique the record sounded back in 1977.

Apart from the obvious slicing of the album into two distinct sides (reflected better in the original working title of New Music Night And Day), Visconti gifted Low that distinctive gated snare via his latest gadget, the Evantide Harmonizer.

Though Low was a record purportedly informed by the likes of Kraftwerk and other German musicians of the time, it actually sounded far more organic and not at all mechanical.

This was in no small measure due to the nucleus of the band Bowie had favoured during this whole period (starting with Station To Station), of Carlos Alomar (guitar), Dennis Davis (drums) and George Murray (bass).

If you’ve not listened to it for a while, stick Low on now and prepare to be transported by its gloriously uplifting melancholia and musical language from another time and place, not necessarily the past.

Low sounds as fresh today as it ever did…thirty nine minutes of untouchable genius.

Bowie back in UK Top Ten after 20 years

“Where Are We Now?”

BBC Radio 1’s Official Chart show has just announced David Bowie’s return to the Top Ten in the UK with the placing of his new single, ‘Where Are We Now?’, at Number 6.

It’s Bowie’s highest charting hit since ‘Absolute Beginners’ reached Number 2 in 1986. It’s also his first Top Ten hit since ‘Jump They Say’ reached Number 9 in 1993.

This is an impressive result for Bowie, particularly when one takes into account the figures are based on just five days’ sales (it’s a full week normally), and that the track was available in the digital format only.

The surprise release of ‘Where Are We Now? on Tuesday sparked a media frenzy which saw the single get off to a flying start and the song remains on both the BBC’s A playlists for 6 Music and Radio 2.

Though ‘Where Are We Now?’ is included as an instant download with pre-orders of The Next Day, understandably those particular sales are not included towards the Official Singles Chart.

Martin Talbot, Managing Director of the Official Charts Company says “It is great to see a great British musical icon such as David Bowie returning to the Official Singles Chart. He had his first Top 10 with Space Oddity in 1969 – so the fact he is still scoring chart hits more than 40 years later is quite remarkable. Welcome back David.”

And so say all of us! Well done David and thanks to all of you reading this that bought the single or pre-ordered the album.