10 out of 10 for BAAL in UNCUT

 

“Ziggy played…banjo”

 

We told you about the release of Dissent & Disruption: The Complete Alan Clarke at the BBC, earlier in the year.

Contained within the set is the BBC adaptation of Baal starring David Bowie, which was first broadcast in 1982.

Damien Love has posted his ten out of ten review of BAAL over on UNCUT and here follows an excerpt from it.

 

+ – + – + – + – + – + – + – + – + – + – + – + – + – + – +

 

“When Clarke first conceived of filming the play, in collaboration with Brecht scholar John Willet, he considered Steven Berkoff for the role. It was Willett who suggested Bowie, who, when the programme was recorded in summer 1981, had not long completed his run as The Elephant Man on the American stage. He brings lessons learned there, as well with Lindsay Kemp and, of course, stalking stages as Ziggy and The Duke (plus, it should be said, the beautiful annunciation he brought to his Peter And The Wolf narration).

 

Clarke mounts the piece with a degree of stylisation that terrifies current British TV. Intercut with abstract split-screen monologues and songs, the cast perform as though in a live performance against huge, detailed sets erected as frieze-like tableaux, the camera usually at a distance – as if, indeed, you were in the stalls viewing a theatre stage. A filthy, snaggletoothed scum-seer, Bowie himself suggests an expressionist woodcut come to life, yet exudes a fitting naturalism the cast around him avoids.

 

He clearly responded to the project. To mark its broadcast, Bowie decided to cut a 7-inch EP of the five Brecht songs he performs in the drama, acting as his own Greek chorus. In the TV version, he accompanies himself with bare plucks at the banjo he perpetually clutches. For the Baal EP, however, Bowie returned to Germany’s Hansa studio with Tony Visconti and 15 Berlin players, the last time he would record beside the Wall. The record has become a semi-obscure curio, but two songs, “The Drowned Girl” and “Remembering Marie A”, rank among Bowie’s most affecting 1980s recordings.”

 

+ – + – + – + – + – + – + – + – + – + – + – + – + – + – +

 

You can read the full review here.

 

The EP Damien references was re-released as a digital download in 2007 and if you‘re not familiar with the recordings start with the delightful Remembering Marie A now and check out the rest of the EP while you‘re about it. A true hidden gem if ever there was one.

 

Dissent & Disruption: The Complete Alan Clarke at the BBC is available on both Blu-ray and DVD now.

 

#BowieInBaal  #BowieBFI  #AlanClarkeBBC  

Two live Ziggy albums reissued today

 

“You’re the blessed, we’re The Spiders From Mars”

 

We told you about these releases back in April, but to recap: the two live albums that were housed in the David Bowie (Five Years 1969 – 1973) box set (Live Santa Monica ’72 & Ziggy Stardust Motion Picture Soundtrack), are issued via Parlophone today as heavyweight 180g vinyl editions.

This is to accommodate fans who want these classic live albums but that didn’t get the Five Years box set or the original limited editions when EMI issued them.

The vinyl that was exclusive to the David Bowie (Five Years 1969 – 1973) box set, The Rise And Fall Of Ziggy Stardust And The Spiders From Mars (2003 Ken Scott Mix) and Re:Call 1 will not be issued separately.

If you don’t already have them, you can order both via the following links.

 

Live Santa Monica ’72

Ziggy Stardust Motion Picture Soundtrack

 

Alternatively, you can order from the BowieStore.

 

#BowieVinyl  #FiveYearsBox

Three days left for charity auction

 

“I said be careful, his bowtie is really a camera”

 

On the 44th anniversary of the release of The Rise And Fall Of Ziggy Stardust And The Spiders From Mars, it seems somehow appropriate to mention an event taking place in Heddon Street, the site of the album’s iconic cover shoot.

There has been a plethora of David Bowie photographic exhibitions since January, and you’ve no doubt heard about them all, including this one: David Bowie: Fame, Fashion, Photography.

However, aside from celebrating the life and career of David Bowie via rare and previously unpublished photographs, the primary objective of BowieFFP is to raise money for Cancer Research UK, by auctioning off all of the beautiful prints on display, kindly donated by the photographers: Chalkie Davies, Tony McGee and Denis O’Regan.

If you’ve not yet managed to get along, you still have until Sunday. But more importantly, you definitely have plenty of time to view the images online and bid in the auction. The online auction will be open for bids until 6.30pm on June 19th. Go here for links.

If you do still want to visit the physical exhibition (and you should if you can), please choose a time slot and book your free tickets here.

 

*Today’s featured picture was taken by Chalkie Davies in the studio whilst Labyrinth was being filmed, in 1985.

 

#BowieFFP

Tilda Swinton’s CFDA tribute to Bowie

 

“And so the story goes, they wore the clothes…”

 

Last night at the CFDA Awards at the Hammerstein Ballroom in New York, actress Tilda Swinton paid emotional tribute to David Bowie while collecting the statuette for the BOARD OF DIRECTORS’ TRIBUTE to David Bowie.

Star of Lazarus, Michael C. Hall, performed a visually exciting rendition of Changes with a trio of Ziggyettes…more of which, later.

Tilda read the moving letter to Bowie, introducing it by explaining she was there on behalf of his wife, Iman: “Tonight is David and Iman’s 24th wedding anniversary,” She said. “And Iman has asked me to come tonight in her place, to thank you for this great tribute to David, and to send you all her love, and I’m honoured to do so.”

 

You can watch Tilda’s speech here.

 

And here’s the correct version of her reading of the letter to David in full (some sites have misreported it):

 

+ – + – + – + – + – + – + – + – + – + – + – + – + – + – +

 

Dear Dave,

 

The CFDA have the great good sense and elegance to tip their caps at you this year.

 

There’s pretty much no year out of the last forty that this would not have been a good idea. But this time around, it feels like an apt opportunity, given this stage in the proceedings, to remind us all how very much a part of us you always were and always will be.

 

At the request of your beautiful Missus, I’ve come to collect it for her  –  for you.

 

These kind people – the fanciest fashion people on the planet – are giving you their highest prize –  their directors’ tribute – to honour and to thank you for all the shapes you’ve thrown, from start to finish, through all your years, golden and otherwise, all your changes, ever moving forward, all your colours, all your magic, all your vim and vigour, all your glory, all ways and always.

 

You checked out early and we are still finding things you left in the drawers and looking for a forwarding address

 

But you are still hanging signs in the sky, in the trees, for us and we are so grateful for every one.

 

We want to tell you that we miss you but how very happy we all are that you came by… And that we are getting used to resting on your stardust in your absence.

 

Once upon a time you gave us a freak for freaks: now and forever more, in our missing you (and this is a good thing), you have brought out the freak in everyone.

 

You tipped us that wink from the first: one man’s freak is another man’s free.

 

Difference and change are all we ever have to rely upon, and always were.

 

Thank you, chum, for brightening our horizon. For inspiring and exhilarating and enlightening our times. How lucky we are who turned up since you were first here. Thank you for your happiness and your eternal Bona-ness and zhoosh.

 

You are our hero. Forever and ever.

 

Everyone says hi.

 

Love,

 

Your Tilly

 

+ – + – + – + – + – + – + – + – + – + – + – + – + – + – +

 

#BowieSwinton  #CFDA

Mick Rock in NY tonight London September

 

“I asked for an autograph…”

 

If you’re in New York this evening, you still have time to get along to the TASCHEN Store New York, to meet Micĸ Rocĸ as he signs copies of The Rise Of David Bowie – 1972-1973.

Check out the events page here on FB for more details.

 

Wednesday, June 1st

7 pm – 9 pm

TASCHEN Store New York, 107 Greene Street (between Prince and Spring)

Space is limited. RSVP required: 212-226-2212 or store-ny@taschen.com

 

There will also be a London signing in September, details below.

 

Thursday, September 8th

6:30 pm – 8:30 pm

TASCHEN Store London, 12 Duke of York Square, London SW3 4LY

RSVP: store-london@taschen.com

Link to book signing event on Facebook to follow shortly

 

#BowieTASCHEN  #MickRockBowie  #‎TASCHENgallery  #TASCHENstore

Bowie tune in penultimate Peaky Blinders

 

“I’ve got drama, can’t be stolen”

 

You’ve no doubt seen the stories of David Bowie’s love of the BBC 2 TV show, Peaky Blinders.

Bowie’s interest in the original Birmingham gang predates the show and he held a fascination for the distinctive clothes they wore: peaked caps, cravats, bell-bottom trousers with heavy buckled belts and jackets with brass buttons.

The legend (though possibly untrue), that the name Peaky Blinders came from the method the gang used to rob victims of their eyesight (peaked caps with concealed razors), was one of the details that didn’t escape Bowie’s attention.

Self-proclaimed Bowie fan, actor Cillian Murphy, plays the show’s fictional gangland boss, Tommy Shelby. He befriended Bowie and they exchanged gifts, as explained to The Hollywood Reporter by the drama’s creator, Steven Knight, ahead of Thursday’s broadcast.

 

“Cillian heard that he [Bowie] was a fan. At the end of the first series, Cillian was given the cap he wore throughout the shoot, in a glass case. He smashed the case, sent the cap to Bowie and Bowie sent a photo back of himself with razor blades sewn into the cap. So we contacted his people and asked if he’d like his music on the series and they were really keen. I had someone come to my house to play Blackstar before it was released. They didn’t say anything about his state of health, and a couple of days later it was announced he had died. We continued talking and episode five will have Bowie’s music in it.”

 

We won’t spoil the surprise for you, but if you miss episode five on Thursday evening (BBC 2 – 21:00), you can catch up on all of the excellent music used throughout the three series so far, here on the dedicated BBC page.

 

#PeakyBlinders  # CillianMurphy  #BowieCap