ANCIANT Video Focus: Fashion

 

“Beep Beep”

 

(ANCIANT = A New Career In A New Town)

 

In October 1980, Fashion was released as the second of four singles from Scary Monsters (And Super Creeps).

 

David Mallet directed again, this time inside New York’s HURRAH nightclub. The opening shot of the clip features Bowie and band on the HURRAH stage which was draped in khaki canvas for this shoot.

 

The faceted mirror walls surrounding the dance floor can be seen in the background of various shots, and all the band scenes are shot in this club setting. Some of the dancers can be seen doing the ‘shaker dance’ reemployed for the Blackstar video in 2016.

 

Other locations around Manhattan are intercut throughout the clip with various participants (May Pang among them), proffering the message: “Beep Beep!”

 

Record Mirror readers in the UK voted “Fashion” and “Ashes to Ashes” the best music videos of 1980.

 

Watch the full Fashion video here.

 

 

FOOTNOTE: The Bowie concert performance of Station To Station featured in the movie Christiane F., was filmed at the same club in NY the day before Fashion. This was because DB was performing in the Elephant Man on Broadway several nights a week at the time, and could not shoot in Berlin. The mass concert scenes were actually from an AC/DC concert in Germany and the audio of Station To Station accompanying the performance was lifted from Stage.

 

 

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieFashion  #BowieVideo

ANCIANT is out now

 

“I was running at the speed of life”

 

 (ANCIANT = A New Career In A New Town)

 

We’re celebrating today’s release of the David Bowie: A New Career In A New Town (1977–1982) box set with another superb Helen Green animation.

 

View it over on DBFB and scroll the images here for individual stills.

 

Get ANCIANT here.

 

 

#ANCIANTbox  #ANewCareerInANewTownBox  #HelenGreenArtBowie

"Heroes" 40th anniversary picture disc in at #1

 

“We can beat them”

 

The “Heroes” limited edition 40th-anniversary 7″ picture disc issued via Parlophone last Friday (22nd) has entered today’s chart at #1. (29 September 2017 – 05 October 2017)

 

It joins three other Bowie releases in the Official Physical Singles Chart Top 20 right now.

 

#01 – “Heroes”

#11 – No Plan EP

#12 – Be My Wife

#17 – Sound And Vision

 

“Heroes” is also at #25 in the overall singles sales chart. Pretty good considering it was only released on vinyl and it’s up against all those downloads, CDs, vinyl and the like by popular kids of today.

 

Much gratitude to all of you for making it so.

 

 

#BowieHeroes  #BowieOCC  #BowieVinyl  

ANCIANT Video Focus: Ashes To Ashes

 

“Oh no, don’t say it’s true”

 

(ANCIANT = A New Career In A New Town)

 

Released in August 1980, the Ashes to Ashes single was accompanied by one of the better known Bowie promo videos, not to mention one of the most truly ground-breaking and hugely influential videos to boot.

 

Bowie retained the services of David Mallet for this Bowie/Mallet-directed short (Bowie’s first credited direction), to promote the lead single from the forthcoming 1980 album, Scary Monsters (And Super Creeps).

 

Ashes to Ashes was at the time the most expensive music video ever made and remains one of the most costly of all time. It incorporated scenes both in solarised colour and a new black sky effect, used by Mallet for the first time.

 

Featuring Bowie in the Natasha Korniloff Pierrot costume that became the dominant visual representation of both the Ashes To Ashes single and the Scary Monsters album, the film also brought Steve Strange and other lead players of the burgeoning New Romantic London Blitz scene to the public eye.

 

The costal scenes were filmed in May 1980 at Pett Level, East Sussex, with one of the most memorable being the shot of Bowie and the Blitz Kids marching towards the camera in front of a bulldozer, which Bowie later described as “symbolising oncoming violence”.

 

Other moments included Bowie (revisiting Major Tom, perhaps), in some kind of black rubber space suit, seated in a space vehicle chair. This all takes place in an exploding kitchen, as a female nurse fusses around in the background.

 

This scene and another in a high-ceilinged padded cell were first utilised in Bowie’s performance of Space Oddity on The Kenny Everett New Year Show in 1979. Filmed in September 1979, it wasn’t broadcast until December 31st, 1979. Both scenes were recreated for the May 1980 filming of Ashes To Ashes, the continuity experts among you will notice the very obvious differences.

 

Ashes To Ashes closes with Bowie/Major Tom (?) in some kind of protective suit with life-support hoses coming from him in a womb-like cocoon of a room, that had a distinct flavour of H. R. Giger’s designs for Alien, a film released the previous year, which Bowie loved.

 

The final scenes also included the Bowie Pierrot and an elderly woman lecturing him as they strolled along the beach to the fade out of “My mother said to get things done, You’d better not mess with Major Tom”.

 

This prompted people to think it was Bowie’s real mother in the video, it wasn’t. Though what it actually was, was a recreation of the old lady with Pierrot as depicted in George Underwood’s painting on the back of the David Bowie Phillips album (AKA, Space Oddity).

 

Watch the full Ashes To Ashes video here

 

 

FOOTNOTE: Michael Dignum tells of a hilarious moment during the filming at Pett Level, which Bowie purportedly recounted to him during the making of Miracle Goodnight. It’s full of fruity language though, and therefore not for the faint-hearted.

 

 

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieAshesToAshes  #BowieVideo

ANCIANT Video Focus: Look Back In Anger

 

““You know who I am,” he said.”

 

(ANCIANT = A New Career In A New Town)

 

Just the two singles, Boys Keep Swinging and DJ, were taken from Lodger in the UK. However, in July 1979 The Netherlands and Turkey enjoyed Yassassin, while the following month saw the release of Look Back In Anger as an A-side 45 in the US and Canada.

 

Despite no other promotion (no pic sleeve, no press ads), the release was considered important enough to warrant another David Mallet-directed video, every bit as mad as the previous two promos.

 

With a nod to Oscar Wilde’s The Picture of Dorian Gray, the video may not have been a contributing factor to the record’s commercial failure. However, it’s hard to deny that as the film progressed Bowie wasn’t at his prettiest, albeit a look only achieved with the aid of make-up.

 

Despite this, it’s a great video well worth another look.

 

While you’re watching, listen out for Dennis Davis’s extraordinary drumming and see if you can spot Brian Eno on Synthesizer, Horse Trumpets and Eroica horn?!

 

 

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieLookBackInAnger  #BowieVideo

ANCIANT Video Focus: DJ

 

“I’ve got believers (Kiss-Kiss), Believing me“

 

(ANCIANT = A New Career In A New Town)

 

DJ, the follow up to Boys Keep Swinging and also taken from Lodger, was accompanied by another delightfully mad David Mallet-directed video, featuring Bowie playing a nonchalant DJ in a radio station studio, gradually smashing the place up.

 

These scenes are interspersed with footage of Bowie rubbing shoulders and getting friendly with some of the wonderful people of Earls Court in London. The whole thing is topped off with our man as gas-masked art terrorist, spray-painting the DJ logo.

 

Check out the full length video here.

 

 

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieDJ  #BowieVideo

Live In Berlin (1978) Digital EP streaming tonight

 

“There’s something in the air”

 

The upcoming release of the David Bowie: A New Career In A New Town (1977-1982) box set (Friday, 29th September), will be celebrated today (Tuesday, 26th September), with an event at the world-famous Hansa Studios in Berlin, which will be live-streamed on www.facebook.com/davidbowie at 8pm CET (7pm BST / 2pm EST / 11am PST).

 

The live event will feature a Q&A session with guests including Carlos Alomar (who played guitar with Bowie from 1974 to 1996), Edu Meyer (the former sound engineer at Hansa Studios) and Chris Duffy (son of photographer Brian Duffy, and director of the Duffy Archive), who will all be discussing Bowie’s work from 1977-1982.

 

To commemorate the event and the release of the box set, from 11pm CET (10pm BST / 5pm EST / 2pm PST) tonight a special live digital E.P. will be on all major streaming services for a very limited time only. The E.P. features three previously unreleased tracks recorded live in Berlin on the Isolar II tour in 1978.

 

Live In Berlin (1978) E.P.

 

1. Be My Wife (live) (2.51)

2. Sense Of Doubt (live) (3.18)

3. Breaking Glass (live) (3.36)

 

Recorded live at the Deutschlandhalle, Berlin on 16th May, 1978.

 

Photography by Antoine Loogman taken at the Deutschlandhalle performance.

 

 

#ANCIANTbox  #BowieBerlin  #Bowie1978

German Rolling Stone cover reveal

 

“Way back in West Berlin…”

 

As today is all about the launch of the David Bowie: A New Career In A New Town (1977–1982) box set in Berlin, and while you’re waiting for the action there to start, it seems appropriate to exclusively reveal the October 2017 German Rolling Stone magazine cover, which, as we told you previously, has an exclusive Bowie feature and cover-mounted 7″ vinyl single of “Helden”/”Heroes”.

 

This is the tracklisting of this future 33 1/3rd collectable.

 

Side 1: “Helden” (’89 remix version)

Side 2: “Heroes” (live version from Stage)

 

Here’s some info regarding the content…

 

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As David Bowie’s legendary album “Heroes” celebrates its 40th anniversary, the new issue of ROLLING STONE Germany contains an exclusive 7inch single: The vinyl features a live version of the immortal hit “Heroes” and the German version of the song.

 

“Helden” was issued on the “Heroes” LP in Germany in 1977.  Tobias Rüther takes a look at this germanised version of the song in his cover story, recalling the difficulties of translation and the pronunciation of the German language for non-speakers of it, even with the help of Antonia Maaß.

 

ROLLING STONE also takes a closer look at Bowie’s life in Berlin in the Seventies: At the time the musician became one of the biggest heroes of the gay movement, Jens Balzer examines the artist’s influence on the LGBT music scene. Bernd Cailloux also describes what Berlin looked and felt like in 1977, he travels to the thriving underground and reflects on the city’s effect on David Bowie – and the singer’s impact on Berlin.

 

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The magazine/vinyl package is available to pre-order now, but it’s only available to addresses in Germany, Switzerland and Austria.

 

 

#BowieHelden  #BowieHeroes  #RSDEBowie  #ANCIANTbox  #BowieVinyl

ANCIANT Album Focus: Scary Monsters

 

“But he jumped into the furnace, Singing old songs we loved…”

 

(ANCIANT = A New Career In A New Town)

 

This is the second instalment of our album focus on David Bowie’s Scary Monsters (And Super Creeps).

 

Here’s another snippet from Tony Visconti taken from the introduction of the Scary Monsters recording notes in the ANCIANT book.

 

 

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When we began ‘The Man Who Sold The World’ David and I jokingly said, “Let’s make this our ‘Sgt. Pepper’s’.” With every album we made together since then, we aired that silly phrase again. On reflection, when I listen to ‘Scary Monsters’ it feels more like we made our ‘Revolver’. Maybe it’s because the opening of ‘It’s No Game (No. 1)’ is a tip of the hat to the opening of ‘Taxman’. We were pushing the boundaries further than we ever had with this album.

 

‘Revolver’ took about nine weeks to make. We spent four weeks at The Power Station in New York and another five weeks at my own Good Earth Studios in London. There was a two-month gap in between as David said he needed the time to write the lyrics and melodies. David had written the ‘Berlin trilogy’ in the studio, sometimes whilst singing the lead vocal on microphone! This was a departure from procedure.

 

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SCARY MONSTERS FACT FILE:

 

Released in the UK as RCA BOWLP 2 (PL 13647) on 12th September, 1980.

Peak UK chart position: #1

Peak US chart position: #12

 

Tracklisting

 

SIDE 1

1. IT’S NO GAME (PART 1)

2. UP THE HILL BACKWARDS

3. SCARY MONSTERS (AND SUPER CREEPS)

4. ASHES TO ASHES

5. FASHION

 

SIDE 2

1. TEENAGE WILDLIFE

2. SCREAM LIKE A BABY

3. KINGDOM COME

4. BECAUSE YOU’RE YOUNG

5. IT’S NO GAME (PART 2)

 

All songs written by DAVID BOWIE except ‘KINGDOM COME’ written by TOM VERLAINE.

 

Produced by DAVID BOWIE and TONY VISCONTI.

Recorded at THE POWER STATION, NEW YORK and GOOD EARTH STUDIOS, LONDON, by DAVID BOWIE and TONY VISCONTI in February and April, 1980.

Assistants at THE POWER STATION, NEW YORK – LARRY ALEXANDER and JEFF HENDRICKSON.

 

Bonus tracks on 1992 RykoDisc reissue:

Space Oddity (4:57) Re-recorded single B-side 1979

Panic In Detroit (3:00) Re-recorded version, previously unreleased, 1979

Crystal Japan (3:08) Japanese single A-side 1979

Alabama Song (3:51) UK single A-side 1979

 

Original UK Singles

Ashes To Ashes/Move On – August 1980 – (Issued with 3 covers and 4 sets of Bowie-designed stamps) (Peak UK chart position: #1)

Fashion/Scream Like A Baby – October 1980 – (Peak UK chart position: #5)

Scary Monsters (And Super Creeps)/Because You’re Young – (Also issued as Bowie’s first cassingle) (Peak UK chart position: #20)

Up The Hill Backwards/Crystal Japan – (Peak UK chart position: #32)

 

Significant non UK Singles:

It’s No Game (Part One)/Fashion – October 1980 – Japan

 

Promotional videos were made for Ashes To Ashes and Fashion.

 

Listen to Scary Monsters on the official David Bowie: A New Career In A New Town playlist here.

 

Pre-order ANCIANT here.

 

 

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieScaryMonsters

ANCIANT Video Focus: Boys Keep Swinging

 

“They’ll never clone ya…“

 

(ANCIANT = A New Career In A New Town)

 

One of the very best 45s of all time (and another Top Ten hit for David Bowie in the UK) was the first single from 1979’s Lodger, Boys Keep Swinging. And it was accompanied by an equally brilliant video.

 

The Bowie/Visconti produced tongue in cheek ode to the joys of gender stability, was a breath of fresh air in a musical landscape dominated by folk taking themselves a little too seriously.

 

Both the humour and the role reversal of the recording (Guitarist Carlos Alomar played drums and drummer Dennis Davis played bass), transferred perfectly to the David Mallet-directed video (Mallet’s first in a string of classic Bowie promos, as you will see), with Bowie taking on the guise of his own female backing singers.

 

If you’ve not had the pleasure yet, go and enjoy Boys Keep Swinging now.

 

The players…

 

DAVID BOWIE – vocals, guitar

DENNIS DAVIS – bass

TONY VISCONTI – bass

CARLOS ALOMAR – drums

ADRIAN BELEW – guitar

SIMON HOUSE – violin

BRIAN ENO – piano

DAVID BOWIE and TONY VISCONTI – backing vocals

 

 

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieBKS  #BowieBoys  #BowieVideo